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"Quam pulchra es"

by John Dunstable; early 15th century; motet or cantilena; freely composed; mostly homophonic

"De plus en plus"

by Binchois; early 15th century; rondeau (secular love song); polyphonic

"Se la face ay pale"

by Guillaume du Fay; early 15th century; ballade (secular love song); polyphonic

"Missa se la face ay pale: Gloria"

by Guillaume du Fay; mid-15th century; sacred mass, Gloria portion (part of the mass proper, not the mass ordinary); polyphonic

"Innsbruck, ich muss dich lassen"

by Henricus Isaac; ca. 1500; German lied (4-part settings of popular songs or newly composed melody); primarily homophonic with short sections of imitative polyphony

"Ave Maria...virgo serena"

by Josquin des Prez; late 15th century; motet; imitative polyphony with short sections of homophony

"Missa Pange lingua: Kyrie"

by Josquin des Prez; early 16th century; paraphrase mass

"Mille regretz"

attributed to Josquin des Prez; early 16th century; chanson (secular); a mix of polyphony and homophony

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