5 Written questions
5 Matching questions
- Francis I
- a church officials getting married and having children
- b (1304-1374) Father of the Renaissance. He believed the first two centuries of the Roman Empire to represent the peak in the development of human civilization.
- c the doctrine of the High Anglican Church that after the consecration of the Eucharist the substance of the body and blood of Christ coexists with the substance of the consecrated bread and wine
- d Florentine architect who was the first great architect of the Italian Renaissance (1377-1446)
- e King of France; a Renaissance monarch; patron of the arts; imposed new controls on the Catholic church; ally of the Ottoman sultan against the Holy Roman emperor.
5 Multiple choice questions
- Leader of Swiss Reformation. Agreed to disagree with Luther about communion. He thought it was only a symbol, and that it wasn't Christ's body or blood untill it touched your mouth, only symbolic.
- Czechoslovakian religious reformer who anticipated the Reformation, questioned transubstantiation, burned at stake
- The first Tudor king that worked to establish a strong monarchical government and ended the private wars of nobles in England.
- king of France from 1547 to 1559, lost war to the Hapsburgs
- (1386-1466) A sculptor whose focus was ont eh beauty of the human body.
5 True/False questions
Boccaccio → (1401-1428) A painter who used the inspiration of the ancients to put a new emphasis on nature
Charles V → French king, invited by Sforza to invade Florence, fought over Italy with Ferdinand of Aragon in the first of many French Italian wars. In 1494, he controlled Florence, the Papal States, and Naples.
Massaccio → (1313-1375) Wrote the Decameron which tells about ambitious merchants, portrays a sensual, and worldly society.
Ninety-five theses → Document written by Martin Luther and posted on a church door in Germany that listed 95 things that Luther saw wrong with the church
Giotto → Greatest Renaissance painter in Venice, used vivid color and movement, which was the opposite of the subtle colors and static figures in Florentine paintings.