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In the ancient Greek religion, Zeus is the "Father of Gods and men" who rules the Olympians of Mount Olympus as a father rules the family. He is the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and Etruscan counterpart is Tinia. His Hindu equivalent is Indra.[citation needed]
Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort is Dione: according to the Iliad, he is the father of Aphrodite by Dione.[2] He is known for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo and Artemis, Hermes, Persephone (by Demeter), Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses (by Mnemosyne); by Hera, he is usually said to have fathered Ares, Hebe and Hephaestus.[4]
As Walter Burkert points out in his book, Greek Religion, "Even the gods who are not his natural children address him as Father, and all the gods rise in his presence."[5] For the Greeks, he was the King of the Gods, who oversaw the universe. As Pausanias observed, "That Zeus is king in heaven is a saying common to all men".[6] In Hesiod's Theogony Zeus assigns the various gods their roles. In the Homeric Hymns he is referred to as the chieftain of the gods.
His symbols are the thunderbolt, eagle, bull, and oak. In addition to his Indo-European inheritance, the classical "cloud-gatherer" also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses: standing, striding forward, with a thunderbolt leveled in his raised right hand, or seated in majesty.
the wife and one of three sisters of Zeus in the Olympian pantheon of Greek mythology and religion. Her chief function was as the goddess of women and marriage. Her counterpart in the religion of ancient Rome was Juno. The cow and the peacock were sacred to her. Hera's mother was Rhea and her father Cronus.
Portrayed as majestic and solemn, often enthroned, and crowned with the polos (a high cylindrical crown worn by several of the Great Goddesses), Hera may bear a pomegranate in her hand, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy.[1] A scholar of Greek mythology Walter Burkert writes in Greek Religion, "Nevertheless, there are memories of an earlier aniconic representation, as a pillar in Argos and as a plank in Samos."[2]
Hera was known for her jealous and vengeful nature, most notably against Zeus's lovers and offspring, but also against mortals who crossed her, such as Pelias. Paris offended her by choosing Aphrodite as the most beautiful goddess, earning Hera's hatred.
one of the most important and complex of the Olympian deities in ancient Greek and Roman religion, Greek and Roman mythology, and Greco-Roman Neopaganism. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of light and the sun, truth and prophecy, healing, plague, music, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu.
As the patron of Delphi (Pythian Apollo), Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the god's custodial charges, Apollo became associated with dominion over colonists, and as the patron defender of herds and flocks. As the leader of the Muses (Apollon Musegetes) and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became a common attribute of Apollo. Hymns sung to Apollo were called paeans.
In Hellenistic times, especially during the 3rd century BCE, as Apollo Helios he became identified among Greeks with Helios, Titan god of the sun, and his sister Artemis similarly equated with Selene, Titan goddess of the moon.[1] In Latin texts, on the other hand, Joseph Fontenrose declared himself unable to find any conflation of Apollo with Sol among the Augustan poets of the 1st century, not even in the conjurations of Aeneas and Latinus in Aeneid XII (161-215).[2] Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE.
one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent is Diana. Some scholars[1] believe that the name and indeed the goddess herself was originally pre-Greek.[2] Homer refers to her as Artemis Agrotera, Potnia Theron: "Artemis of the wildland, Mistress of Animals".[3] The Arcadians believed she was the daughter of Demeter.[4]
In the classical period of Greek mythology, Artemis (Greek: (nominative) Ἄρτεμις, (genitive) Ἀρτέμιδος) was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and protector of young girls, bringing and relieving disease in women; she often was depicted as a huntress carrying a bow and arrows.[5] The deer and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth.
the Greek goddess of love, beauty, pleasure, and procreation. Her Roman equivalent is the goddess Venus.
Historically, her cult in Greece was imported from, or influenced by, the cult of Astarte in Phoenicia.
According to Hesiod's Theogony, she was born when Cronus cut off Uranus' genitals and threw them into the sea, and from the sea foam (aphros) arose Aphrodite. Thus Aphrodite is of an older generation than Zeus.
Because of her beauty, other gods feared that jealousy would interrupt the peace among them and lead to war, and so Zeus married her to Hephaestus, who was not viewed as a threat. Aphrodite had many lovers, both gods like Ares, and men like Anchises. Aphrodite also became instrumental in the Eros and Psyche legend, and later was both Adonis' lover and his surrogate mother. Many lesser beings were said to be children of Aphrodite.
Aphrodite is also known as Cytherea (Lady of Cythera) and Cypris (Lady of Cyprus) after the two cult-sites, Cythera and Cyprus, which claimed her birth. Myrtles, doves, sparrows, horses, and swans are sacred to her. The Greeks further identified the Ancient Egyptian goddess Hathor with Aphrodite.[4] Aphrodite also has many other local names, such as Acidalia, Cytherea and Cerigo, used in specific areas of Greece. Each goddess demanded a slightly different cult but Greeks recognized in their overall similarities the one Aphrodite. Attic philosophers of the fourth century separated a celestial Aphrodite (Aprodite Urania) of transcendent principles with the common Aphrodite of the people (Aphrodite Pandemos).
Eros (/ˈɪərɒs/, US: /ˈɛrɒs/; Ancient Greek: Ἔρως, "Desire"), in Greek mythology, was the Greek god of love. His Roman counterpart was Cupid ("desire"). Some myths make him a primordial god, while in other myths, he is the son of Aphrodite.
The Shaftesbury Memorial in Piccadilly Circus, London, is popularly mistaken for Eros.[2] In fact it represents Anteros.
the goddess of wisdom, courage, inspiration, civilization, law and justice, just warfare, mathematics, strength, strategy, the arts, crafts, and skill. Minerva, Athena's Roman incarnation, embodies similar attributes.[4]
Athena is also a shrewd companion of heroes and is the goddess of heroic endeavour. She is the virgin patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her namesake city, Athens (Athena Parthenos), in her honour.[4]
Athena's veneration as the patron of Athens seems to have existed from the earliest times, and was so persistent that archaic myths about her were recast to adapt to cultural changes. In her role as a protector of the city (polis), many people throughout the Greek world worshiped Athena as Athena Polias (Ἀθηνᾶ Πολιάς "Athena of the city"). The city of Athens and the goddess Athena essentially bear the same name,[5] "Athenai" meaning "[many] Athenas".
an Olympian god in Greek religion and mythology, son of Zeus and the Pleiade Maia. He was second youngest of the Olympian gods.
Hermes was a god of transitions and boundaries. He was quick and cunning, and moved freely between the worlds of the mortal and divine, as emissary and messenger of the gods,[1] intercessor between mortals and the divine, and conductor of souls into the afterlife. He was protector and patron of travelers, herdsmen, thieves,[2] orators and wit, literature and poets, athletics and sports, invention and trade.[3] In some myths he is a trickster, and outwits other gods for his own satisfaction or the sake of humankind. His attributes and symbols include the herma, the rooster and the tortoise, purse or pouch, winged sandals, winged cap, and the herald's staff, the Greek kerykeion or Latin caduceus in his left hand.[4]
In the Roman adaptation of the Greek pantheon (see interpretatio romana), Hermes was identified with the Roman god Mercury, who, though inherited from the Etruscans, developed many similar characteristics, such as being the patron of commerce
the Greek god of war. He is one of the Twelve Olympians, and the son of Zeus and Hera.[1] In Greek literature, he often represents the physical or violent aspect of war, in contrast to the armored Athena, whose functions as a goddess of intelligence include military strategy and generalship.[2]
The Greeks were ambivalent toward Ares: although he embodied the physical valor necessary for success in war, he was a dangerous force, "overwhelming, insatiable in battle, destructive, and man-slaughtering."[3] Fear (Phobos) and Terror (Deimos) were yoked to his battle chariot.[4] In the Iliad his father Zeus tells him that he is the god most hateful to him.[5] An association with Ares endows places and objects with a savage, dangerous, or militarized quality.[6] His value as a war god is even placed in doubt: during the Trojan War, Ares was on the losing side, while Athena, often depicted in Greek art as holding Nike (Victory) in her hand, favored the triumphant Greeks.[7]
Ares plays a relatively limited role in Greek mythology as represented in literary narratives, though his numerous love affairs and abundant offspring are often alluded to.[8] When Ares does appear in myths, he typically faces humiliation.[9] He is well known as the lover of Aphrodite, the goddess of love who was married to Hephaestus, god of craftsmanship,[10] but the most famous story involving the couple shows them exposed to ridicule through the wronged husband's clever device.[11]
The counterpart of Ares among the Roman gods is Mars, who as a father of the Roman people held a more important and dignified place in ancient Roman religion for his agricultural and tutelary functions. During the Hellenization of Latin literature, the myths of Ares were reinterpreted by Roman writers under the name of Mars. Greek writers under Roman rule also recorded cult practices and beliefs pertaining to Mars under the name of Ares. Thus in the classical tradition of later Western art and literature, the mythology of the two figures becomes virtually indistinguishable.
the Greek god of technology, blacksmiths, craftsmen, artisans, sculptors, metals, metallurgy, fire and volcanoes.[1] Hephaestus' Roman equivalent was Vulcan. In Greek mythology, Hephaestus was the son of Zeus and Hera, the King and Queen of the Gods.
As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos.[2] Hephaestus's symbols are a smith's hammer, anvil, and a pair of tongs.
one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain is the ocean, and he is called the "God of the Sea". Additionally, he is referred to as "Earth-Shaker"[1] due to his role in causing earthquakes, and has been called the "tamer of horses".[2]
The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology; both were sea gods analogous to Poseidon. Linear B tablets show that Poseidon was venerated at Pylos and Thebes in pre-Olympian Bronze Age Greece as a chief deity, but he was integrated into the Olympian gods as the brother of Zeus and Hades.[2] There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, although he lost the contest for Athens to Athena
the god of the grape harvest, winemaking and wine, of ritual madness and ecstasy in Greek mythology. His name in Linear B tablets shows he was worshipped from c. 1500—1100 BC by Mycenean Greeks: other traces of Dionysian-type cult have been found in ancient Minoan Crete.[2] His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek.[3][4][5] In some cults, he arrives from the east, as an Asiatic foreigner; in others, from Ethiopia in the South. He is a god of epiphany, "the god that comes," and his "foreignness" as an arriving outsider-god may be inherent and essential to his cults. He is a major, popular figure of Greek mythology and religion, and is included in some lists of the twelve Olympians. His festivals were the driving force behind the development of Greek theatre. He is an example of a dying god.[6][7]
The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or "man-womanish."[8] In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession (thiasus) is made up of wild female followers (maenads) and ithyphallic, bearded satyrs. Some are armed with the thyrsus, some dance or play music. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers, and is sometimes attended by a bearded, drunken Silenus. This procession is presumed to be the cult model for the human followers of his Dionysian Mysteries. In his Thracian mysteries, he wears the bassaris or fox-skin, symbolizing a new life. Dionysus is represented by city religions as the protector of those who do not belong to conventional society and thus symbolizes everything which is chaotic, dangerous and unexpected, everything which escapes human reason and which can only be attributed to the unforeseeable action of the gods.[9]
He was also known as Bacchus ( /ˈbækəs/ or /ˈbɑːkəs/; Greek: Βάκχος, Bakkhos), the name adopted by the Romans[10] and the frenzy he induces, bakkheia. His thyrsus is sometimes wound with ivy and dripping with honey. It is a beneficent wand but also a weapon, and can be used to destroy those who oppose his cult and the freedoms he represents. He is also the Liberator (Eleutherios), whose wine, music and ecstatic dance frees his followers from self-conscious fear and care, and subverts the oppressive restraints of the powerful. Those who partake of his mysteries are possessed and empowered by the god himself.[11] His cult is also a "cult of the souls"; his maenads feed the dead through blood-offerings, and he acts as a divine communicant between the living and the dead.[12]
In Greek mythology, he is presented as a son of Zeus and the mortal Semele, thus semi-divine or heroic: and as son of Zeus and Persephone or Demeter, thus both fully divine, part-chthonic and possibly identical with Iacchus of the Eleusinian Mysteries. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity and a more powerful god from Thrace or Phrygia such as Sabazios[13] or Zalmoxis.[14]
is the goddess of the harvest, who presided over grains and the fertility of the earth. Her cult titles include Sito (σίτος: wheat) as the giver of food or corn/grain[1] and Thesmophoros (θεσμός, thesmos: divine order, unwritten law) as a mark of the civilized existence of agricultural society.[2]
Though Demeter is often described simply as the goddess of the harvest, she presided also over the sanctity of marriage, the sacred law, and the cycle of life and death. She and her daughter Persephone were the central figures of the Eleusinian Mysteries that predated the Olympian pantheon. In the Linear B Mycenean Greek tablets of circa 1400-1200 BC found at Pylos, the "two mistresses and the king" are identified with Demeter, Persephone and Poseidon.[3] Her Roman equivalent is Ceres.
is the daughter of Zeus and the harvest-goddess Demeter, and queen of the underworld. Homer describes her as the formidable, venerable majestic queen of the shades, who carries into effect the curses of men upon the souls of the dead. Persephone was abducted by Hades, the god-king of the underworld.[2] The myth of her abduction represents her function as the personification of vegetation which shoots forth in spring and withdraws into the earth after harvest; hence she is also associated with spring and with the seeds of the fruits of the fields. Similar myths appear in the Orient, in the cults of male gods like Attis, Adonis and Osiris,[3] and in Minoan Crete.
Persephone as a vegetation goddess (Kore) and her mother Demeter were the central figures of the Eleusinian mysteries that predated the Olympian pantheon, and promised to the initiated a more enjoyable prospect after death. The mystic Persephone is further said to have become by Zeus the mother of Dionysus, Iacchus, or Zagreus. The origins of her cult are uncertain, but it was based on very old agrarian cults of agricultural communities.
Persephone was commonly worshipped along with Demeter, and with the same mysteries. To her alone were dedicated the mysteries celebrated at Athens in the month of Anthesterion. In Classical Greek art, Persephone is invariably portrayed robed; often carrying a sheaf of grain. She may appear as a mystical divinity with a scepter and a little box, but she was mostly represented in the act of being carried off by Hades.
In Roman mythology, she is called Proserpina, and her mother Ceres.
is the virgin goddess of the hearth, architecture, and the right ordering of domesticity, the family and the state. In Greek mythology she is a daughter of Cronus and Rhea.[1]
Hestia received the first offering at every sacrifice in the household. In the public domain, the hearth of the prytaneum functioned as her official sanctuary. With the establishment of a new colony, flame from Hestia's public hearth in the mother city would be carried to the new settlement. She sat on a plain wooden throne with a white woolen cushion and did not trouble to choose an emblem for herself.[1] Her Roman equivalent is Vesta.
the ancient Greek god of the underworld. The genitive ᾍδου, Haidou, was an elision to denote locality: "[the house/dominion] of Hades". Eventually, the nominative came to designate the abode of the dead. In Greek mythology, Hades is the oldest male child of Cronus and Rhea. According to myth, he and his brothers Zeus and Poseidon defeated the Titans and claimed rulership over the cosmos, ruling the underworld, air, and sea, respectively; the solid earth, long the province of Gaia, was available to all three concurrently.
Hades was also called "Plouton" (Greek: Πλούτων, gen.: Πλούτωνος, meaning "Rich One"), a name which the Romans Latinized as Pluto.[2] The Romans would associate Hades/Pluto with their own chthonic gods, Dis Pater and Orcus. The corresponding Etruscan god was Aita. Symbols associated with him are the Helm of Darkness,[citation needed] the bident[citation needed] and the three-headed dog, Cerberus. The term hades in Christian theology (and in New Testament Greek) is parallel to Hebrew sheol (שאול, grave or dirt-pit), and refers to the abode of the dead. The Christian concept of hell is more akin to and communicated by the Greek concept of Tartarus, a deep, gloomy part of hades used as a dungeon of torment and suffering.
the leader and the youngest of the first generation of Titans, divine descendants of Gaia, the earth, and Uranus, the sky. He overthrew his father and ruled during the mythological Golden Age, until he was overthrown by his own son, Zeus and imprisoned in Tartarus.
Cronus was usually depicted with a sickle or scythe, which was also the instrument he used to castrate and depose Uranus, his father. In Athens, on the twelfth day of the Attic month of Hekatombaion, a festival called Kronia was held in honour of Cronus to celebrate the harvest, suggesting that, as a result of his association with the virtuous Golden Age, Cronus continued to preside as a patron of harvest. Cronus was also identified in classical antiquity with the Roman deity Saturn.
an originally Anatolian mother goddess. Little is known of her oldest Anatolian cults, other than her association with mountains, hawks and lions. She may have been Phrygia's State deity; her Phrygian cult was adopted and adapted by Greek colonists of Asia Minor, and spread from there to mainland Greece and its more distant western colonies from around the 6th century BCE.
In Greece, Cybele met with a mixed reception. She was partially assimilated to aspects of the Earth-goddess Gaia, her Minoan equivalent Rhea, and the Corn-Mother goddess Demeter. Some city-states, notably Athens, evoked her as a protector but her most celebrated Greek rites and processions show her as an essentially foreign, exotic mystery-goddess, who arrives in a lion-drawn chariot to the accompaniment of wild music, wine, and a disorderly, ecstatic following. Uniquely in Greek religion, she had a transgender or eunuch mendicant priesthood. Many of her Greek cults included rites to a divine Phrygian castrate shepherd-consort Attis, who was probably a Greek invention. In Greece, Cybele is associated with mountains, town and city walls, fertile nature, and wild animals, especially lions.
In Rome, Cybele was known as Magna Mater ("Great Mother"). The Roman State adopted and developed a particular form of her cult, and claimed her conscription as a key religious component in their success against Carthage during the Punic Wars. Roman mythographers reinvented her as a Trojan goddess, and thus an ancestral goddess of the Roman people by way of the Trojan prince Aeneas. With Rome's eventual hegemony over the Mediterranean world, Romanised forms of Cybele's cults spread throughout the Roman Empire. The meaning and morality of her cults and priesthoods were topics of debate and dispute in Greek and Roman literature, and remain so in modern scholarship.
was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon[4] and great-grandson (and half-brother) of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of royal clans who claimed to be Heracleidae (Ἡρακλεῖδαι) and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman Emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, but added anecdotal detail of their own, some of it linking the hero with the geography of the Central Mediterranean. Details of his cult were adapted to Rome as well.
Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among his characteristic attributes. Although he was not as clever as the likes of Odysseus or Nestor, Heracles used his wits on several occasions when his strength did not suffice, such as when laboring for the king Augeas of Elis, wrestling the giant Antaeus, or tricking Atlas into taking the sky back onto his shoulders. Together with Hermes he was the patron and protector of gymnasia and palaestrae.[5] His iconographic attributes are the lion skin and the club. These qualities did not prevent him from being regarded as a playful figure who used games to relax from his labors and played a great deal with children.[6] By conquering dangerous archaic forces he is said to have "made the world safe for mankind" and to be its benefactor.[7] Heracles was an extremely passionate and emotional individual, capable of doing both great deeds for his friends (such as wrestling with Thanatos on behalf of Prince Admetus, who had regaled Heracles with his hospitality, or restoring his friend Tyndareus to the throne of Sparta after he was overthrown) and being a terrible enemy who would wreak horrible vengeance on those who crossed him, as Augeas, Neleus and Laomedon all found out to their cost.
Who wrote the Homeric Hymns?
Although the Homeric Hymns were ascribed to Homer, the Homeric Hymns were probably written substantially later, probably between the 8th and 6th century B.C. They were not all written at the same time. The Homeric Hymns consist of 34 poems to the ancient Greek gods and goddesses, which include legends involving the gods, and are written in epic hexameter.
Who is Triton? Who are his parents?
Triton is the messenger of the sea. Poseidon and Amphitrite.
What are Apollo's functions in myth and cult?
He was worshiped for art, prophecy, medicine/plague.
Which of Apollo's myth's describe how laurel became sacred to Apollo?
Daphne was turned into a laurel tree to escape Apollo's advances, and in his grief the laurel always had a special place in his heart..
How far back in time is Poseidon seen worshipped?
The Bronze Age
Who wrote the Theogony? When did he live?
"the birth of the gods") is a poem by Hesiod (8th - 7th century BC) describing the origins and genealogies of Greek polytheism, composed circa 700 BC. It is written in the Epic dialect of Homeric Greek.
As such, it is also used as a name for any description of the creation of the gods of any religion.[1]
Name the important mythological entities that appear directly after chaos. Which one spawned Uranus?
Chaos (Air), Gaea (Earth), Eros (Procreation), Tartarus (The Pit). Gaea is the one that spawned Uranus.
How did Cronus become ruler of the cosmos?
Cronus envied the power of his father, the ruler of the universe, Uranus. Uranus drew the enmity of Cronus' mother, Gaia, when he hid the gigantic youngest children of Gaia, the hundred-handed Hecatonchires and one-eyed Cyclopes, in Tartarus, so that they would not see the light. Gaia created a great stone sickle and gathered together Cronus and his brothers to persuade them to castrate Uranus.[2]
Only Cronus was willing to do the deed, so Gaia gave him the sickle and placed him in ambush. When Uranus met with Gaia, Cronus attacked him with the sickle castrating him and casting his testicles into the sea. From the blood (or, by a few accounts, semen) that spilled out from Uranus and fell upon the earth, the Gigantes, Erinyes, and Meliae were produced. The testicles produced a white foam from which Aphrodite emerged.[3] For this, Uranus threatened vengeance and called his sons Titenes (Τιτῆνες; according to Hesiod meaning "straining ones," the source of the word "titan", but this etymology is disputed) for overstepping their boundaries and daring to commit such an act. Hecatonchires, the Gigantes, and the Cyclopes and set the dragon Campe to guard them. He and his sister Rhea took the throne of the world as king and queen. The period in which Cronus ruled was called the Golden Age, as the people of the time had no need for laws or rules; everyone did the right thing, and immorality was absent.
Who are the Cyclopes?
a member of a primordial race of giants, each with a single eye in the middle of his forehead.[1] The name is widely thought to mean "circle-eyed".[2]
Hesiod described one group of cyclopes and the epic poet Homer described another, though other accounts have also been written by the playwright Euripides, poet Theocritus and Roman epic poet Virgil. In Hesiod's Theogony, Zeus releases three Cyclopes, the sons of Uranus and Gaia, from the dark pit of Tartarus. They provide Zeus' thunderbolt, Hades' helmet of invisibility, and Poseidon's trident, and the gods use these weapons to defeat the Titans. In a famous episode of Homer's Odyssey, the hero Odysseus encounters the Cyclops Polyphemus, the son of Poseidon and Thoosa (a nereid), who lives with his fellow Cyclopes in a distant country. The connection between the two groups has been debated in antiquity and by modern scholars.[3] It is upon Homer's account that Euripides and Virgil based their accounts of the mythical creatures.
Who is the father of Eos? Who is the brother of Eos? Who is her famous Trojan lover?
Hyperion is her father. The brother is Helios. And her famous Trojan lover is Tithonus.
Why did Hyperion's son let Phaethon drive Helius's chariot?
Phaeton went to his father who swore by the river Styx to give Phaeton anything he should ask for in order to prove his divine paternity. Phaeton wanted to drive his chariot of the sun for a day. Helios tried to talk him out of it by telling him that not even Zeus (the king of gods) would dare to drive it, as the chariot was fiery hot and the horses breathed out flames. Phaeton was adamant. When the day came, Helios anointed Phaeton's head with magic oil to keep the chariot from burning him. Phaeton was unable to control the fierce horses that drew the chariot as they sensed a weaker hand.
How did the Titans, once masters of the universe, end up in Tartarus?
Uranus was afraid that one of his Titan children would end up overthrowing him and taking over rule of the Universe. The Titans were thus imprisoned by Uranus in Tartarus, a region of the Underworld. It was said that it would take a falling anvil nine days to reach its bottom.
Who defeated Typhoeus? How is Mt. Etna involved?
son of Gaia, fathered by Tartarus, and the most deadly monster of Greek mythology. He was known as the "Father of all monsters"; his wife Echidna was likewise the "Mother of All Monsters."
Typhon was described in pseudo-Apollodorus, Bibliotheke, as the largest and most fearsome of all creatures. His human upper half reached as high as the stars. His hands reached east and west and, instead of a human head, he had a hundred dragon heads; some however depict him as having a human head and the dragon heads being attached to his hands instead of fingers. He was feared even by the mighty gods. His bottom half was gigantic viper coils that could reach the top of his head when stretched out and made a hissing noise. His whole body was covered in wings, and fire flashed from his eyes.
Typhon attempts to destroy Zeus at the will of Gaia, because Zeus had imprisoned the Titans. Typhon overcomes Zeus in their first battle, and tears out Zeus' sinews. However, Hermes recovers the sinews and restores them to Zeus. Typhon is finally defeated by Zeus, who traps him underneath Mount Etna.
Who produced the Giants? Who defeated the Giants? What is the meaning of conflict in Greek art?
The Giants were the children of Gaia, who was fertilized by the blood of Uranus, after Uranus was castrated by his son Cronus.[1] Some depictions stated that these Giants had snake-like tails. Gaia, incensed by the imprisonment of the Titans in Tartarus by the Olympians, incited the Giants to rise up in arms against them, end their reign, and restore the Titans' rule. Led on by Alcyoneus, and Porphyrion, they tested the strength of the Olympians in what is known as the Gigantomachia or Gigantomachy. The Olympians called upon the aid of Heracles after a prophecy warned them that he was required to defeat the Giants, for the aid of a mortal was needed.[2] Athena, instructed by Zeus, sought out Heracles and requested his participation in the battle. Heracles responded to Athena's request by shooting an arrow dipped in the poisonous blood of the dreaded Hydra at Alcyoneus, which made the Giant fall to the earth. However, the Giant was immortal so long as he remained in Pallene. Athena advised Heracles to drag Alcyoneus outside Pallene to make the Giant susceptible to death. Once outside Pallene, he was beaten to death by Heracles. Heracles slew not only Alcyoneus, but dealt the death blow to the Giants who had been wounded by the Olympians.
What do the Giants represent in Greek art?
The Giants represent the The Celtic Galatians.
In Enuma Elish who finally defeats Tiamat? How is Ea involved?
Tiamat is a chaos monster, a primordial goddess of the ocean, mating with Abzû (the god of fresh water) to produce younger gods. It is suggested that there are two parts to the Tiamat mythos, the first in which Tiamat is 'creatrix', through a "Sacred marriage" between salt and fresh water, peacefully creating the cosmos through successive generations. In the second "Chaoskampf" Tiamat is considered the monstrous embodiment of primordial chaos.[1] Although there are no early precedents for it, some sources identify her with images of a sea serpent or dragon.[2] In the Enûma Elish, the Babylonian epic of creation, she gives birth to the first generation of deities; she later makes war upon them and is killed by the storm-god Marduk. The heavens and the earth are formed from her divided body.
Ea, the wise water god, decided that Marduk had the best chance of defeating the evil goddess. True, Marduk was young, but he had many powerful skills and was very quick witted. Ea asked Marduk if he would be willing to challenge the evil goddess Tiamat on behalf of all the Good Gods. Marduk would only accept if she accepted the terms to make him the "chief of all gods". To sway the rest of the gods Ea threw a banquet in which the other gods agreed, thinking the boy would fail.
Why does Zues withhold fire from humans?
In Greek mythology, Prometheus was the creator of mankind. The goddess Athene taught him architecture, astronomy, mathematics, navigation, medicine, and metallurgy, and he in turn taught them to humans. Zeus, the chief of the Greek gods, became angry at Prometheus for making people powerful by teaching them all these useful skills.
When the gods chose Prometheus as arbiter in a dispute, he fooled the gullible Zeus into picking the worst parts of the sacrificial bull by hiding them under a rich layer of fat. To punish Prometheus, Zeus withheld fire from men. "Let them eat their flesh raw," he declared. In response, Prometheus, snuck up to Mount Olympus, lit a torch from the sun, and hid a burning piece of charcoal in a hollow stalk. He slipped away with it and thus delivered fire to mankind.
Who is Pandora?
the first woman, who was made out of clay.[2] As Hesiod related it, each god helped create her by giving her unique gifts. Zeus ordered Hephaestus to mold her out of earth as part of the punishment of mankind for Prometheus' theft of the secret of fire, and all the gods joined in offering her "seductive gifts". Her other name, inscribed against her figure on a white-ground kylix in the British Museum,[3] is Anesidora, "she who sends up gifts,"[4] up implying "from below" within the earth. According to the myth, Pandora opened a jar (pithos), in modern accounts sometimes mistranslated as "Pandora's box" (see below), releasing all the evils of mankind — although the particular evils, aside from plagues and diseases, are not specified in detail by Hesiod — leaving only Hope inside once she had closed it again.[5] She opened the jar out of simple curiosity and not as a malicious act.[6]
The myth of Pandora is ancient, appears in several distinct Greek versions, and has been interpreted in many ways. In all literary versions, however, the myth is a kind of theodicy, addressing the question of why there is evil in the world. In the seventh century BC, Hesiod, both in his Theogony (briefly, without naming Pandora outright, line 570) and in Works and Days, gives the earliest literary version of the Pandora story; however, there is an older mention of jars or urns containing blessings and evils bestowed upon mankind in Homer's Iliad
Name two different traditions concerning the fate of Cronus
Accounts of the fate of Cronus after the Titanomachy differ. In Homeric and other texts he is imprisoned with the other Titans in Tartarus. In Orphic poems, he is imprisoned for eternity in the cave of Nyx. Pindar describes his release from Tartarus, where he is made King of Elysium by Zeus. In another version[citation needed], the Titans released the Cyclopes from Tartarus, and Cronus was awarded the kingship among them, beginning a Golden Age. In Virgil's Aeneid[citation needed], it is Latium to which Saturn (Cronus) escapes and ascends as king and lawgiver, following his defeat by his son Jupiter (Zeus).
One other account referred by Robert Graves[4] (who claims to be following the account of the Byzantine mythographer Tzetzes) it is said that Cronus was castrated by his son Zeus just like he had done with his father Uranus before. However the subject of a son castrating his own father, or simply castration in general, was so repudiated by the Greek mythographers of that time that they suppressed it from their accounts until the Christian era (when Tzetzes wrote).
Why does Zues giver Io to Hera as a present? Why is Io guarded by Argus? What happens to her after this?
Hera almost caught Zeus with a mistress named Io, a fate avoided by Zeus turning Io into a beautiful white heifer. However, Hera was not completely fooled and demanded that Zeus give her the heifer as a present.
Once Io was given to Hera, she placed her in the charge of Argus to keep her separated from Zeus. Zeus then commanded Hermes to kill Argus, which he did by lulling all one hundred eyes to sleep. In Ovid's interpolation, when Hera learned of Argus' death, she took his eyes and placed them in the plumage of the peacock, accounting for the eye pattern in its tail.[40] Hera then sent a gadfly (Greek oistros, compare oestrus)) to sting Io as she wandered the earth. Eventually Io settled in Egypt, where according to Ovid she became the Egyptian goddess Isis.
Who does Zeus seduce after changing into a bull? Who does he seduce after changing into an eagle?
Zues seduces Europa where he takes her to Crete. Turning into an eagle he seduced the Lyra who was a female Eagle before. Nuptial flight in the sky.
What is the difference between Olympia and Mt. Olympus?
Mount Olympus is in the north-central part of Greece and is, obviously, a mountain. Olympia was a city-state in the Peloponnese (the hand-shaped peninsula that forms southern Greece). The Olympic Games were held at the shrine of Zeus in Olympia, not on Mount Olympus. In Greek mythology Olympus was regarded as the "home" of the Twelve Olympian gods of the ancient Greek world.[4] It formed itself after the gods defeated the Titans in the Titan War, and soon the palace was inhabited by the gods. It is the setting of many Greek mythical stories.
The ancient institution of Xenia. Which god oversees this institution?
the Greek word for the concept of hospitality, or generosity and courtesy shown to those who are far from home. It is often translated as "guest-friendship" (or "ritualized friendship") because the rituals of hospitality created and expressed a reciprocal relationship between guest and host.
The Greek god Zeus is sometimes referred to as Zeus Xenios, meaning he was god of, among other things, travelers. This created a particular religious obligation to be hospitable to travelers, but guests also had responsibilities, beyond reciprocating hospitality.
In Ovid's tales, who does Zeus turn into a wolf? Why? Why does Zeus wander Earth in disguise? What happens to the world at this point?
Lycaon was a king of Arcadia, son of Pelasgus and Meliboea, who in the most popular version of the myth tested Zeus by serving him a dish of his slaughtered and dismembered son in order to see whether Zeus was truly omniscient. In return for these gruesome deeds Zeus transformed Lycaon into the form of a wolf, and killed Lycaon's fifty sons by lightning bolts, except possibly Nyctimus, who was the slaughtered child, and instead became restored to life. The final story tells of Zeus and Hermes disguising themselves as beggars on earth in order to know what its like to be human. After being shunned by every house in the city, they are graciously accepted into the house of the poor married couple, Baucis and Philemon. The married couple feeds the gods with a great feast, not knowing the true identity of the strangers except that they are "children of God".[5] After the feast, the gods reveal themselves and grant the two a wish. Baucis and Philemon ask to die at the same time to save each other grief of death, and the gods respond by turning their house into a grand palace and the couple into a pair of trees with branches intertwined. The world has been flooded by this time.
Who is Atrahasis?
The myth of Atrahasis is a tale from ancient Mesopotamia (modern Iraq). The clay tablets inscribed with the old Babylonian version of the epic can be dated to around 1700 BC, although there is a fragmentary Sumerian version which is even older. It tells the story of how the gods tried to destroy mankind, but were thwarted when one of their number warned a wise man called Atrahasis. It is the tale, the gods tell, of:
"How we sent the Flood.
But a man survived the catastrophe."
The woman that survived the flood. They would restart mankind.
Argos and Mycenae are particularly important to which deity?
Who are the parents of Eileithyia?
According to Hesiod, she was the daughter of Hera and Zeus.
What is the meaning of the Indo-European root of Zeus and Jupiter
"Shining", and meant "bright" or "sky"
Provide a definition for mythology
The term "mythology" can refer either to the study of myths (e.g., comparative mythology), or to a body or collection of myths (a mythos, e.g., Inca mythology).[1] In folkloristics, a myth is a sacred narrative usually explaining how the world or humankind came to be in its present form,[2] although, in a very broad sense, the word can refer to any traditional story.[3] Bruce Lincoln defines myth as "ideology in narrative form."[4] Myths typically involve supernatural characters and are endorsed by rulers or priests. They may arise as overelaborated accounts of historical events, as allegory for or personification of natural phenomena, or as an explanation of ritual. They are transmitted to convey religious or idealized experience, to establish behavioral models, and to teach.
Define a legend. Define a diving myth. How do folktales differ from legends or divine myths?
Legend = "things that must be read" stories of famous early men and women.
divine myths = Gods are main charactersSet before or outside of the normal order of the world. Like science, explain forces of nature, cosmic phenomena (aetiological) Eg. Creation myths.
folktale = traditional tales that are neither myth or legend. Stories told amongst the commonfolk that tend to have a moral behind it
What is a folktale type? What is a folktale motif?
A folktale type is a distinctive aspect within that tale (The Cinderella type). There are believed to be 700 folktale types. A folktale motif are smaller elements within a tale that can be recombined in a endless variety.
A folktale type is a constellation of motifs that constitutes an independent story which does not depend on a relation with a larger story.
Why were myths important in ancient cultures?
The role of mythology is important in the life of ancient Greeks because it helped them answer questions they could not with the understanding they had at the time. For example, when there was a storm, they believed that Zeus was upset at them for something they had done. Or, when they lost a battle, they would blame someone for upsetting Ares and causing him to fight with the other side against them. Basically, it gave them someone to blame or praise for the events that happened in their life that they couldn't otherwise explain.
Who was Heinrich Schliemann? What cities did he uncover? Why is he a important figure with respect to Greek myths?
a German businessman and amateur archaeologist, and an advocate of the historical reality of places mentioned in the works of Homer. Schliemann was an archaeological excavator of Troy, along with the Mycenaean sites Mycenae and Tiryns. His work lent weight to the idea that Homer's Iliad and Virgil's Aeneid reflect actual historical events
What does Indo European signify? When did Indo-European Greek speakers first migrate into Greece? How do we know that people spoke Greek in Greece by at least the late Bronze Age?
Indo-European is a name given ( for geographic reasons ) to a large linguistic family that includes most of the languages of Europe ( past and present ), as well as those found in a vast area extending across Iran and Afghanistan to the northern half of the Indian subcontinent.
Estimated 3 billion people speak one of these languages. They migrated around the third millennium B.C from the early to middle bronze age. We know they spoke Greek by looking at the Linear B.
Who were the Mycenaean's?
The Mycenaeans were Greek. Their culture flourished from circa 1700 BC to circa 1100 BC in mainland Greece but also expanded to the Aegean islands, Crete, Asia Minor and southern Italy. They are named after the site of Mycenae, where the most famous (and one of the largest) palaces was found.
When did the Mycenaean Age end?
The Mycenaean Age dates from around 1600 BC to 1100 BC, during the Bronze Age. Mycenae is an archaeological site in Greece from which the name Mycenaean Age is derived. Mycenae site is located in the Peloponnese, Southern Greece. The remains of a Mycenaean palace were found at this site, accounting for its importance. Other notable sites during the Mycenaean Age include Athens, Thebes, Pylos and Tiryns.
According to Homer, the Mycenaean civilization is dedicated to King Agamemnon who led the Greeks in the Trojan War. The palace found at Mycenae matches Homer's description of Agamemnon's residence. The amount and quality of possessions found at the graves at the site provide an insight to the affluence and prosperity of the Mycenaean civilization. Prior to the Mycenaean's ascendancy in Greece, the Minoan culture was dominant. However, the Mycenaeans defeated the Minoans, acquiring the city of Troy in the process, according to Homer's Illiad (some historians argue this is Myth rather than fact). Mycenaean culture was based around its main cities in Mycenae, Tiryns, Pylos, Athens, Thebes, Orchomenos, and Folksier. The Mycenaeans also inhabited the ruins of Knossos on Crete, which was a major city during the Minoan era. Mycenaean and Minoan art melded, forming a cultural amalgamation that is found on Crete (figurines, sculptures and pottery). During the Mycenaean civilization the class diversification of rich and poor, higher classes and lower became more established, with extreme wealth being mostly reserved for the King, his entourage and other members of the royal circle. Like the Minoans, the Mycenaeans built grand palaces and fortified citadels, with administrative and political powers firmly under royal authority. Mycenaean society was to some extent a warrior culture and their military was ever prepared for battle, be it in defence of a city or to protect its wealth and cultural treasures.
What is the Dark Age in Greece? How is this relevant to stories of the Trojan War or other myths? What are the dates of the Dark Age?
the period of Greek history from the presumed Dorian invasion and end of the Mycenaean Palatial civilization around 1200 BC, to the first signs of the Greek city-states in the 9th century BC. These terms are gradually going out of use, since the former lack of archaeological evidence in a period that was mute in its lack of inscriptions (thus "dark") has been shown to be an accident of discovery rather than a fact of history.[1]
The archaeological evidence shows a widespread collapse of Bronze Age civilization in the eastern Mediterranean world at the outset of the period, as the great palaces and cities of the Mycenaeans were destroyed or abandoned. Around this time, the Hittite civilization suffered serious disruption and cities from Troy to Gaza were destroyed. Following the collapse, fewer and smaller settlements suggest famine and depopulation. In Greece the Linear B writing of the Greek language used by Mycenaean bureaucrats ceased. The decoration on Greek pottery after ca 1100 BC lacks the figurative decoration of Mycenaean ware and is restricted to simpler, generally geometric styles (1000-700 BC). It was previously thought that all contact was lost between mainland Hellenes and foreign powers during this period, yielding little cultural progress or growth; however, artifacts from excavations at Lefkandi on the Lelantine Plain in Euboea show that significant cultural and trade links with the east, particularly the Levant coast, developed from c 900 BC onwards, and evidence has emerged of the new presence of Hellenes in sub-Mycenaean Cyprus and on the Syrian coast at Al Mina.
What is the Archaic Period? What are the dates of the Archaic Period?
(800 BC - 480 BC) was a period of ancient Greek history that followed the Greek Dark Ages. This period saw the rise of the polis and the founding of colonies, as well as the first inklings of classical philosophy, theatre in the form of tragedies performed during Dionysia, and written poetry, which appeared with the reintroduction of the written language, lost during the Greek Dark Ages. The term archaic covers these cultural aspects as well.
The termini of the Archaic period are defined as the "structural revolution", meaning a sudden upsurge of population and material goods that occurred c. 750 BC, and the "intellectual revolution" of classical Greece.[1] The end of archaism is conventionally marked by Xerxes' invasion of Greece in 480 BC.
The sharp rise in population at the start of the Archaic period brought with it the settlement of new towns and the expansion of the older population centres. The Archaic period is also characterized by the spread of colonization along the Mediterranean and Black Sea coasts that began about 800 B.C. The reason for this phenomenon is described by Greek authors as stenochoria, or "the lack of land", but in practice it was caused by a great number of reasons, such as rivalry between political groups, a desire for adventure, expatriation, the search for trade opportunities, etc.
Approximately, when were myths first written down?
It didn't work like that, However, Homer wrote the Iliad about 750 BC, and Hesiod, one of the more famous theogenists, wrote his some 400 years after that.
When did democracy begin in Athens? What is the classical period?
Athenian democracy developed in the Greek city-state of Athens, comprising the central city-state of Athens and the surrounding territory of Attica, around 508 BC. Athens is one of the first known democracies. Other Greek cities set up democracies, and even though most followed an Athenian model, none were as powerful, stable, nor as well-documented as that of Athens.
Classical Greece was a 200 year period in Greek culture lasting from the 5th through 4th centuries BC.[citation needed] This classical period had a powerful influence on the Roman Empire and greatly influenced the foundations of the Western Civilization. Much of modern Western politics, artistic thought, such as architecture, scientific thought, literature, and philosophy derives from this period of Greek history. In the context of the art, architecture, and culture of Ancient Greece, the Classical period corresponds to most of the 5th and 4th centuries BC (the most common dates being the fall of the last Athenian tyrant in 510 BC to the death of Alexander the Great in 323 BC). The Classical period in this sense follows the Archaic period and is in turn succeeded by the Hellenistic period.
Who wrote the Iliad?
Homer, the author of the Iliad and the Odyssey, and is revered as the greatest ancient Greek epic poet. These epics lie at the beginning of the Western canon of literature, and have had an enormous influence on the history of literature.
When he lived is unknown. Herodotus estimates that Homer lived 400 years before Herodotus' own time, which would place him at around 850 BC;[1] while other ancient sources claim that he lived much nearer to the supposed time of the Trojan War, in the early 12th century BC.[2] Modern researchers appear to place Homer in the 7th or 8th centuries BC.
The formative influence played by the Homeric epics in shaping Greek culture was widely recognized, and Homer was described as the teacher of Greece.[3] Homer's works, which are about fifty percent speeches, provided models in persuasive speaking and writing that were emulated throughout the ancient and medieval Greek worlds. Fragments of Homer account for nearly half of all identifiable Greek literary papyrus finds
In what century did Aeschylus, Sophocles, and Euripides live?
400 B.C
What is Linear B?
a syllabic script that was used for writing Mycenaean Greek, the earliest attested form of Greek. The script predates the Greek alphabet by several centuries. The oldest Mycenaean writing dates to about 1450 BC.[1] It is descended from the older Linear A, an undeciphered earlier script used for writing the Minoan language, as does the later Cypriot syllabary, which also recorded Greek. Linear B, found mainly in the palace archives at Knossos, Cydonia,[2] Pylos, Thebes and Mycenae,[3] disappeared with the fall of Mycenaean civilization. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing.
Linear B consists of around 87 syllabic signs and a large repertory of ideographic signs. These ideograms or "signifying" signs symbolize objects or commodities. They have no phonetic value -and are never used as word signs in writing a sentence.
The application of Linear B appears to have been confined to administrative contexts. In all the thousands of clay tablets, a relatively small number of different "hands" have been detected: 45 in Pylos (west coast of the Peloponnese, in southern Greece) and 66 in Knossos (Crete).[4] From this fact it could be thought that the script was used only by a guild of professional scribes who served the central palaces. Once the palaces were destroyed, the script disappeared.
Who are the Sumerians?
an ancient civilization and historical region in southern Mesopotamia, modern Iraq during the Chalcolithic and Early Bronze Age. Although the earliest historical records in the region do not go back much further than ca. 2900 BC, modern historians have asserted that Sumer was first settled between ca. 4500 and 4000 BC by a non-Semitic people who may or may not have spoken the Sumerian language (pointing to the names of cities, rivers, basic occupations, etc. as evidence).[2] These conjectured, prehistoric people are now called "proto-Euphrateans" or "Ubaidians",[3] and are theorized to have evolved from the Samarra culture of northern Mesopotamia (Assyria).[4][5][6][7] The Ubaidians were the first civilizing force in Sumer, draining the marshes for agriculture, developing trade, and establishing industries, including weaving, leatherwork, metalwork, masonry, and pottery.[3] However, some, such as Piotr Michalowski and Gerd Steiner, contest the idea of a Proto-Euphratean language or one substrate language.
Sumerian civilization took form in the Uruk period (4th millennium BC), continuing into the Jemdat Nasr and Early Dynastic periods. During the third millennium BC, a close cultural symbiosis developed between the Sumerians (who spoke a Language Isolate) and the Semitic Akkadian speakers, which included widespread bilingualism.[8] The influence of Sumerian on Akkadian (and vice versa) is evident in all areas, from lexical borrowing on a massive scale, to syntactic, morphological, and phonological convergence.[8] This has prompted scholars to refer to Sumerian and Akkadian in the third millennium as a sprachbund.[8] Sumer was conquered by the Semitic-speaking kings of the Akkadian Empire around 2270 BC (short chronology), but Sumerian continued as a sacred language. Native Sumerian rule re-emerged for about a century in the Third Dynasty of Ur (Sumerian Renaissance) of the 21st to 20th centuries BC, but Akkadian also continued in use. The Sumerian city of Eridu, on what was then the Persian Gulf, was the world's first city, where three separate cultures fused - that of peasant farmers, living in mud-brick huts and practising irrigation; that of mobile nomadic pastoralists living in black tents and following herds of sheep and goats; and that of fisher folk, living in reed huts in the marshlands.[9]
The surplus of storable food created by this economy allowed the population of this region to settle in one place, instead of migrating as hunter gatherers. It also allowed for a much greater population density, and in turn required an extensive labour force and division of labour with many specialised arts and crafts.
Sumer was also the site of early development of writing, progressing from a stage of proto-writing in the mid 4th millennium BC to writing proper in the third millennium (see Jemdet Nasr period).
What is the name of the script that the Babylonians used to write their language? Which people invented this script?
Cuneiform script[1] is one of the earliest known forms of written expression. Emerging in Sumer around the 30th century BC, with predecessors reaching into the late 4th millennium (the Uruk IV period), cuneiform writing began as a system of pictographs. In the three millennia the script spanned, the pictorial representations became simplified and more abstract as the number of characters in use also grew gradually smaller, from about 1,000 unique characters in the Early Bronze Age to about 400 unique characters in Late Bronze Age (Hittite cuneiform).
The original Sumerian script was adapted for the writing of the Akkadian, Eblaite, Elamite, Hittite, Luwian, Hattic, Hurrian, and Urartian languages, and it inspired the Ugaritic and Old Persian alphabets. Cuneiform writing was gradually replaced by the Phoenician alphabet during the Neo-Assyrian Empire, and by the 2nd century AD, the script had become extinct.
Cuneiform documents were written on clay tablets, by means of a blunt reed for a stylus. The impressions left by the stylus were wedge shaped, thus giving rise to the name cuneiform ("wedge shaped", from the Latin cuneus, meaning "wedge"). The Babylonians, Sumerians, and the Assyrians wrote cuneiform
Inanna is best compared to whome in Babylonian myth?
Ishtar, the Assyrian and Babylonian goddess of fertility, war, love, and sex.[1] She is the counterpart to the Sumerian Inanna and to the cognate north-west Semitic goddess Astarte.
Who is Enlil?
"Lord (of the) Storm")[1] was the name of a chief deity listed and written about in Sumerian religion, and later in Akkadian, Hittite, Canaanite and other Mesopotamian clay and stone tablets. The name is perhaps pronounced and sometimes rendered in translations as Ellil in later Akkadian, Hittite, and Canaanite literature. In later Akkadian, Enlil is the son of Anshar and Kishar.
Enlil was considered to be the god of breath, wind, loft and breadth (height and distance)
Who is the clever trickster in Sumerian myth? What did the Babylonians call him?
is a god in Sumerian mythology, later known as Ea in Akkadian and Babylonian mythology. He was originally patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia and to the Canaanites, Hittites and Hurrians. He was the deity of crafts (gašam); mischief; water, seawater, lakewater (a, aba, ab), intelligence (gestú, literally "ear") and creation (Nudimmud: nu, likeness, dim mud, make bear). He was associated with the southern band of constellations called stars of Ea, but also with the constellation AŠ-IKU, the Field (Square of Pegasus).[1] Beginning around the second millennium BCE, he was sometimes referred to in writing by the numeric ideogram for "40," occasionally referred to as his "sacred number."[2][3][4]
A large number of myths about Enki have been collected from many sites, stretching from Southern Iraq to the Levantine coast. He figures in the earliest extant cuneiform inscriptions throughout the region and was prominent from the third millennium down to Hellenistic times.
The exact meaning of his name is uncertain: the common translation is "Lord of the Earth": the Sumerian en is translated as a title equivalent to "lord"; it was originally a title given to the High Priest; ki means "earth"; but there are theories that ki in this name has another origin, possibly kig of unknown meaning, or kur meaning "mound". The name Ea is allegedly Hurrian in origin while others [5][6] claim that it is possibly of Semitic origin and may be a derivation from the West-Semitic root *hyy meaning "life" in this case used for "spring", "running water." In Sumerian E-A means "the house of water", and it has been suggested that this was originally the name for the shrine to the God at Eridu.
How is Zeus portrayed in Prometheus Bound? Why do you think he is so portrayed?
A tyrant that rules entirely through intimidation and punishment rather than cooperation and friendship. Stress is repeatedly placed on the idea that Zeus rules by his own laws and does not answer to anyone for what he does. As a result there are two possible ways to view Zeus's rule in relation to justice. Either he is simply not just, since he clearly does not follow any rules, or he is equivalent to justice because he sets the standards of right and wrong.

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