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6 Written questions

6 Multiple choice questions

  1. the physical, visual link between the mad son and the cyclo boy in "Cyclo"
  2. said "I believe in imagination, but I more faith in reality, in people. Not interested in prearranged encounters, rather in the drama of things that happen to come together;" screenwriter of "Bicycle Thieves"
  3. emphasis on emotions rather than abstract ideas, documentary visual style, use of actual locations, refusal to make easy more judgments, nonprofessioinal actors
  4. the only group in "Bicycle Thieves" who are NOT considered to be villians
  5. Tran Anh Hung said that he wouldn't shoot "Cyclo" in France because there were too many _______________ and a old French man's face wasn't as interesting as an old Vietnamese man's face
  6. "What's important for me is to create ________, often, transitory, that are like icons with meaning." said by Tran Anh Hung about "Cyclo"

6 True/False questions

  1. no plotloose, meandering, episodic plot structure; gives film realistic, 'slice-of-life' feel; less dramatic than usual plot


  2. pure cinemacinematic style that feels as close to real-life as possible; NO fancy editing, NO complex dialogue, NO stylized production techniques, NO AUTEURSHIP by director


  3. boldbicycle driver who transports people from place to place


  4. Tran Anh Hungdirector of "Cyclo"


  5. class differences, consumerismthe only group in "Bicycle Thieves" who are NOT considered to be villians


  6. de-emphasizesDe Sica ___________ sexuality in "Bicycle Thieves" as symbolized by the removal of the bed sheets & ordinary clothes of the Communist dancer girls