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DFA AP Music Theory Ch. 5

Terms in this set (15)

passing tone
occurs between two chord tones, creating stepwise motion - accented or unaccented
neighboring tone
occurs between two chord tones, moves away by step and returns to original note - accented or unaccented
anticipation
chord tone that comes early - unaccented
appoggiatura
approached by skip and resolves by step in the opposite direction - accented
suspension
made up of a preparation (accented or unaccented), the suspension itself (accented), and the resolution (unaccented); proceeds down by step to the resolution
retardation
made up of a preparation (accented or unaccented), the suspension itself (accented), and the resolution (unaccented); proceeds up by step to the resolution
changing tones
moves by step, leaps in the opposite direction, and steps again to the original note
escape tone
(echappee) approached by step from a chord tone, resolves by leap in the opposite direction - unaccented
incomplete neighbor tone
approached by leap and proceeds by step to an accented chord tone (unaccented appoggiatura)
perfect authentic cadence
1) V or V7 to I; 2) both chords are in root position; 3) soprano matches the bass of the I chord
imperfect authentic cadence
1) V, V7, or vii to I; 2) any inversion; 3) any voicing
half cadence
any chord (generally I or IV) to a V
plagal cadence
IV to I or iv to I (amen cadence)
deceptive cadence
V to vi or VI
phrygian half cadence
iv6 to V in a minor key
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