the sudden switching off of all lights, leaving the stage in complete darkness
to change the intensity of a light or group of lights instantaneously, usually for a short duration of time, often to the beat of music as if to create a pulsing effect.
the expected time of arrival for participants in an event such as performance for concert
an instruction given by the stage manager to one of the technical departments to take some action: 1) a change in scenery, lighting or sound or 2) the point at which an actor must enter or speak
to decrease the amount of light on the stage
how the lights overhead are powered
takes what you have from stage pin and plugs it into the wall
a sound and lighting term meaning to gradually increase(fade up), decrease(fade down) or eliminate(fade out) the brightness of a light or the volume of a sound
a light that gives a wide-spreading, unfocused beam of light
to position and 'fine-tune' a lighting instrument so that the light covers a specific area of the stage
a lighting instrument with a soft-edged beam often used to blend with other lighting. It uses a Fresnel lens, a lens with concentric ridged rings.
a filter made of plastic or nylon(formerly made of gelatin) placed over the front of a lantern to change the color of the light. Comes in many different colors.
a piece of metal or glass, which fits into the gate of a profile spot and projects a pattern onto the set or stage. Gobos can be very complex in design and changes how light comes out(creates texture onstage)
in theatre, this refers to the specific time assigned to placing the lighting instruments as indicated on the plot
a piece of equipment that is the source of light in theatrical lighting.
an ellipsoidal reflector spot light
one who plans lighting compositions, lays out light plots, directs the focusing of luminaires, and determines the various intensities, colors, looks, and cues for a lighting production
a stand with arms attached-lives in the wings. Used often in lighting dance
document similar to an architectural blueprint used specifically by theatrical lighting designers to illustrate and communicate the lighting designe to the director, other designer and finally the Master Electrician and Electrics crew.
a type of electrical lamp that provides general lighting. Used more as a fill light.
made of plexiglass; wire that connects to cap(which comes off)
the ability, on a manual lighting control desk(as opposed to one which is computer-controlled) to set up a lighting cue before it is actually operated. Also the lighting state on a stage before the show actually starts
placed on ALL lights, goes around poles that they are hung on
metal blade that can be used to shape the edge of the beam of a lighting instrument. Shutters( normally four) are located in the gate at the center of the lantern
used mainly for lighting dance, creates a specific mood
a lighting instrument not used for general illumination but for a special effect, such as lighting a particular individual or area
illumination from stage lighting instruments that falls outside of the area for which it is initially focused, Unwanted light onstage.
a person responsible for the technical details of a theatrical production, assisting the director during rehearsal, supervising the lighting, costuming, setting, prompting, etc, and assuming full responsibility for the stage during a performance.
3 prongs; plugs into wall to power lights
a warning cue given by the stage manager informing crew and actors to be prepared to execute the cue of perform as soon as the cue is given
the first time the show is rehearsed with lighting, scenery and sound. Costumes are sometimes used where they may cause technical problems(ie: quick changes). Usually a very lengthy process.
Parts of a light: cap
holds bulb; where the light comes out of
Parts of a light: body
has reflector and shutters; directs light in any shape .
Parts of a light: lens
each one has a different angle, bringing it in/out changes how hard or soft the image will be