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5 Written questions

5 Matching questions

  1. satyr play
  2. Proscenium arch
  3. stage business
  4. Ampitheater
  5. hamartia
  1. a type of Greek comic play that was one of the four parts of the traditional tetralogy; subject matter treated in burlesque, drawn from myth or the epic cycles
  2. b Separating the auditorium from the raised stage and the world of the play, the architectural picture from or gateway "standing in front of the scenery" in traditional European theaters from the 16th century on.
  3. c nonverbal action that engages the attention of an audience
  4. d causes hero's downfall; his error or transgression or his flaw or weakness of character.
  5. e arena theater with rising tiers around a central open space

5 Multiple choice questions

  1. A genre using devisive humor to ridicule human weakness and folly or attack political injustices and incomptetence. Often focuses on ridiculing characters or killjoys, who resist the festive mood of comedy. Such characters, called humors, are often characterized by one dominant personality trait or ruling obsession.
  2. A form of comic drama developed by guilds of professional Italian actors in the mid-16th century. Playing stock characters, masked players improvised diaologue around a given scenarios (with a brief outlinejmakring entrances and main course of action). In a typical play a pair of young lovers (played without masks), aided by a clever servant (Harlequin), outwit older masked characters.
  3. an action that turns out to have the opposite effect from the one its doer had intended
  4. a dramatic styles developed bet. 1910& 1924 in Germany in reactio against realism's focus on surface details and external reality. To draw an audience into a dreamlike subjective realm, it used episodic plots, distorted lines, exaggerated shapes, abnormally intense coloring, mechanical phyical movement, ad telgraphic speeh. Plays ranged from utopian visions of a fallen, materialistic world redeemed byt the spirituality of "new men" to pessimistic nightmare visions of universal catastrophe.
  5. An error or weakness on the part of the protagonist that aids in bringing about his or her reversal of fortune.

5 True/False questions

  1. Low ComedyA literary work aimed at amusing an audience. One of the basic modes of storytelling and can be adapted to most literary forms-from poetry to flim. Action often involves the adventures of young lovers, who face obstacles and complications that threaten disaster but are overturned at the last moment to produce a happy ending.

          

  2. Romantic ComedyA genre using devisive humor to ridicule human weakness and folly or attack political injustices and incomptetence. Often focuses on ridiculing characters or killjoys, who resist the festive mood of comedy. Such characters, called humors, are often characterized by one dominant personality trait or ruling obsession.

          

  3. Burlesquea preparatory scene

          

  4. Comedy of MannersA realistic form of comic drama that flourished with seventeenh-century playwrights. Deals with the social relations and sexual intrigues of sophicsticated, intelligent, upper-class men and women, whose verbal fencing and witty repartee produce the prinicipal comic effects. Stereo-typed characters from contemporary life.

          

  5. SkeneIn classical Greek staging of 5th century BC, the temporary wooden stage building in which actors changed masks and costumes when changing roles. It served as part of the set.