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Which type of rehearsal occurs near the end of the rehearsal process, as the play comes closer to production time but before the actors apply makeup?
Which of the following was one of several directors who not only fostered the development of realist and naturalist dramas but who also opened up the theatre to possibilities of psychological interpretation?
What is meant by the "concept" of a play
the director's central idea which focuses his or her interpretation
Which of the following INCORRECTLY pairs a director with his or her previous profession?
Mike Nichols: lighting designer
A tagline is a single statement that can serve as an informal subtitle to the play, stating the core concept of the director.
A director should possess all of the following EXCEPT a
capable voice and an athletic physique, both which comprise the actor's instrument.
Harley Granville-Baker, in his essay "The Art of the Theatre" (1905), compares the director of a play to a captain of a ship in the following lines: "Until discipline is understood in a theater to be willing and reliant obedience to the manager [director] or captain, no supreme achievement can be accomplished."
Stage Left was originally written as a play, but adapted by Austin Forbord into the video form we saw for PBS.
The initial shows where a director can evaluate the production in terms of audience response and institute new changes are known as
Small-scale movement on the stage, which an actor performs within the larger pattern of entrances and exits, is called
How did the eighteenth and nineteenth centuries' emphasis on rationalism influence the director's role?
The demand for historical accuracy required the director to conduct comprehensive research, organization, and coordination.
A producer may be an individual, such as an artistic director, or a partnership of individuals, such as a committee.
Which of the following is true of the history of the director's role?
There has always been a director but not always an individual specifically charged with that role
Which of the following directors founded the Théâtre d'Art in Paris in 1890 as a direct assault upon the realist principles espoused by André Antoine?
Which of the following tasks belong to the director?
conceptualizing the play and giving it vision and purpose
The director's work with the designers is generally suggestive and corrective, rather than overtly controlling
What is the director's primary responsibility?
to envision the main lines of the production and provide the artistic leadership to realize that vision
The rhythm of a production, sometimes confused with the speed of the actor's delivery, is called.
Which statement best describes the end of the director's involvement with the play?
The director may still change aspects of the play during previews or the run, but primarily has given over responsibility to the audience
Which person is responsible for the financial support of the production and, working closely with the director, also contributes to many "directorial" decisions in the production process?
The timing and placement of a character's entrances, exits, crosses, embraces, and other major movements is calledThe timing and placement of a character's entrances, exits, crosses, embraces, and other major movements is called.
As a response against Stanislavsky's realism, the director Vsevolod Meyerhold evolved a theatre of "biomechanical constructivism" in Moscow.
What determines the pace of a play?
the quality and quantity of information conveyed to the audience
Which of the following is true of stylizing directors?
They are unrestrained by rigid formulas with respect to verisimilitude or realistic behavior
A great directorial concept has the qualities of being generalized, well-established by tradition, intellectually relaxing, designer-oriented, and readily apparent.
The "core concept" is.
the director's determination of the most important of the many images, ideas, and emotions that will give the production meaning.
hich of the following is a potential theme, using Aristotles' definition of that term?
To thine own self be true
The role of teacher-director reached its historical pinnacle of influence, albeit anonymously, during the Renaissance and early Restoration periods
Which of the following is a full and correct citation of a web site in MLA style?
Altonn, Helen. "Marine Team Sounds Alarm for Reefs." StarBulletin.com. Star Bulletin, 29 Aug. 2008. Web. 17 June 2009
Which of the following is NOT included in the conceptualization of a play?
the social history of the playwright
The interest of the director and intended audience, along with the capability of the director and producer to conceptualize and produce the play, are all criteria for play selection.
What is our class using as the formal definition of "theatre?"
That body of artistic work in which actors portray characters in a live performance of a scripted play
While both theatre and sport are public spectacles, theatre differs from sports activities because:
theatre has a pre-ordained ending
Which mode of performance acknowledges the audience—as in the case of the nightclub performer who sings, dances, jokes, and responds overtly to applause?
the presentational mode
Which of the following is true of the relationship between the play script and the performance?
the script is a silhouette or outline of the play itself, which fully exists in performance only
The distinctive feature of theatre, which separates it from other arts, is that theatre employs:
You can earn extra credit in this class by attending additional plays and writing a report on them.
How does a theatrical performance differ from a video or a filmed performance?
The theatrical performance is live, with the audience and performers, who are aware of each other and mutually interact in their shared presence.
Our outcomes and objectives for this class come from San Francisco State's learning outcomes for GE, and from the National Association of Schools of Theater's standards
What is the difference between plot and story?
. Plot refers to the structure of events; story refers to a narrative of what happens in a play.
The purging or cleansing of the audience's pity and terror at the climax of a tragedy is called
The six components of a play which Aristotle lists, in order of importance, are:
plot, character, theme, diction, music, and spectacle
According to Aristotle, it is impossible to break down the elements that make tragedy effective
The visual aspect of the play, including the scenery, costumes, lighting, make-up, and the over-all look of the stage are included known as in the element
The final scene, action, or lines in a play devoted to bringing the play to a new level of harmony or understanding, perhaps even resolution, after the climax is called the
In Western drama, a full-length play has historically been designated as one that:
lasts two to three hours, typically
A play that dramatizes the key events in the life of a king or head of state, such as Shakespeare's Henry IV, is called:
a history play
Background information, presented within the play that the audience must possess in order to understand the action of the play is called:
In a Greek play, the lead character that moves the action forward is opposed by a figure called the antagonist.
Processions and the Ancient Greek proagon are two examples of ways in which theatre artists publicized their plays in ages past.
The agreement between the audience and the actor, which includes a whole set of tacit understandings that form the context of playwatching, is called:
Which element of drama refers not only to the pronunciation of spoken dialogue but also to the literary nature of the play's text, including its tone, imagery, articulation, and use of such literary forms as verse, rhyme, metaphor, jest, apostrophe, and epigram?
Which element describes the play's use of rhythm and sounds, either by way of instrumental composition or the orchestration of such noises as muffled drumbeats, gunshots, special effects, and vocal tones?
In play construction, the single action that initiates the major conflict of the play is called
Which of the following is true about the differences between tragedy and comedy?
Tragedy typically deals with great people, whereas comedy deals with ordinary people
After what era did the image of the playwright move from that of theatrical co-worker to that of the isolated observer and social critic?
This playwright speaks of "two selves, the public and private self, the worlds that people juggle a lot of time just from being out there in the world," and whose works, such as Wrecks, reflect this statement
Which playwright has branched out into writing librettos and adaptations of musicals for shows such as Aida and Tarzan?
David Henry Hwang
A play in which every character possesses an independence of intention and expression, and whose motivation appears sensible in the light of our general knowledge of psychology and human behavior, possesses
depth of characterization.
Based off of Bertolt Brecht's Mother Courage, Lynn Nottage's play Ruined transposes the action to a brothel in the Democratic Republic of Congo
A play that relates in some fashion to the current personal concerns of the audience is said to possess gravity.
The plays of Tony Kushner look at the hidden violence that can lie beneath seemingly stable human relationships, as in Bash, which is set within the context of the Church of Latter-Day Saints.
Which of the following is true of playwriting in bygone days?
Playwriting was considered so technically demanding a craft that playwrights spent long in-house apprenticeships as "company men," learning their skills through continual exposure in theatrical rehearsal and performance.
A linear plot proceeds by
the point-to-point storytelling of events linked in chronological, cause-effect continuity.
James Barrie's fantastical play Peter Pan deals with characters that are wholly appropriate to their imaginary situation and internally consistent in their actions within the context of the play. Since it may be said to make a picture of a wholly consistent world, this play possesses
An independence of thought and vision is perhaps the playwright's most important characteristic.
Which New York-born, Louisiana-raised, playwright (b. 1956) wrote a masterpiece of modern drama, Angels in America, which deals with the AIDS crisis, sexuality, gender, and politics?
All of the following are signs of good characterization EXCEPT
the character appears as a pawn in the playwright's grand design and exists only to symbolize something.
When a playwright has managed to make every scene, incident, character, and word deliver an impact, he or she has satisfied the dramatic demand for
The quality of a play that describes the way the playwright creates a world in which every detail fortifies our insight into the play is called richness.
Whose plays are noted for intensely realistic writing and almost musical, rhythmic dialogue?
The quality of stage dialogue that makes it achieve maximum impact when spoken and which requires the playwright to be attentive to the audial shape of language, including the meaning of the dialogue and the rhythm of sound, is called stageability
The playwright's skill at condensing a story that may spans many days or years of chronological time into a theatrical time frame is called
Which playwright demonstrates a commitment to issues global human rights, as shown in Ruined?
The term "playwright" refers to
a person who constructs and composes a play as a wheelwright makes a wheel
A screenwriter, as well as a playwright, Neil LaBute's contribution to today's theatre is a return to highly romantic dialogue, at times written in poetic verse
One difference between the playwright in Shakespeare's time and the contemporary playwright is that
the playwright no longer functions as a director but is now considered an independent artist
Which quality of character began in realism and grew to become the dominant aspect of the theatrical experience by the mid-twentieth century, most notably in the plays of Chekov, Williams, and Miller?
the psychological dimension of character
Which of the following is the most accurate statement of the audience's response to the drama?
. Intrigue draws us into the world of the play; credibility keeps us there.
The audience's demand for internal consistency in a play, in which the characters, the situation, and the theatrical context are combined to generate the action, creates credibility
All of the following could be considered contributors to an interesting audible shape to dialogue EXCEPT
well structured grammar
A play that deals with an issue of serious and lasting significance in humanity's spiritual or intellectual life beyond the mere attempt to imitate profundity is said to possess
The quality of a play that creates suspense by making us wonder what will happen next is called curiosity
a play in which events are connected to each other in strict, chronological, cause-effect continuity, and in which dramatic experience attempts to convey a lifelike progression of experience through time, is classified as
continuous in structure and linear in chronology
The type of performing that asks the actor to enter the mind of the character being played is
What alternate meaning of "presence" explains the power of the actor beyond virtuosity?
projection of an aura of magic and the divine
The dual meanings of this word explain both its physical, common definition and its more religious meaning, "spirit stimulus."
What is "The Method?"
an American acting style derived from the Russian actor-director Konstantin Stanislavsky's self-proclaimed system
Konstantin Stanislavsky, founder of the Moscow Art Theatre (1898), said "You must live the life of your character on stage." Which style of acting does this statement describe most closely?
the representational mode of acting
In his first published work, Stanislavsky states that the "prime task" of the actors is to "create the
inner life of the character."
Directed stage actions that are precisely scripted physical behaviors worked out in blocking are called
What description best characterizes our current relationship to virtuosity?
It is making a comeback since the heyday of the Method in the mid-twentieth century
Which faculty keeps the actor within established bounds and at the same time ensures artistic agility?
Actors who studies human behaviors from a broad range of historical periods, countries, and social classes, so as to apply them when creating characters from a variety of dramatic styles, demonstrates a technique of the _________ mode of acting.
Most auditions consist of performing
. one- or two-minute monologues from plays or short narrative cuttings from novels, stories, or poems which display a contrast
Which two writers best exemplify the range of difference between external and internal approaches to assuming a character?
. Diderot and Stanislavsky
The three main elements of the actor's approach are
goals, tactics, and researching the style of the play and mode of performance.
Today, the debate over inside or outside styles of acting
. is largely diminished, with Stanislavsky and classical techniques both emphasized..
Which of the following does the director NOT typically look for in an audition?
Actor's personal experiences paralleling those of the character
Why did the Greek actor Polus, when playing the role of Electra, bring the ashes of his dead son onstage with him?
He wanted to cry real tears lamenting the "death" of his character's brother.
Which person is responsible for the building and operation of stage machinery and scenery; scheduling lighting and industrial crews; moving scenery in and out of the theatre; and establishing policies and directives for scene shifting?
What kind of scenery uses evocative visual images to make a visual statement about the production's intended mood or theme?
Realistic costuming took over when which of the following became a major guiding principle in drama?
Which invention brought lighting to the stage in its modern form and made lighting a more controlled part of the drama?
What kind of scenery attempts to depict, in great detail, a specific time and place in the observable world where the play's events are presumed to take place?
Turntables, elevators, hoists, cranes, rolling carts, and wagons, which are all used as scenic elements to accompany and support the dramatic action, are collectively called
. stage machinery
Which of the following is NOT a postmodern design element?
furniture taken directly from people's homes
Which of the following is true of the history of lighting in scene design?
Even before the advent of electricity, designers attempted to manipulate lighting with candles, oil lamps, and reflective surfaces.
The order and process of developing a design for a play could be summarized by the following steps:
reading the play, researching, imagining, creating a physical presentation, collaborating, approving for the budget, ensuring viability, implementing
A plan or series of plans showing the placement of each lighting instrument—its type, wattage, size, wiring and connection to a dimmer, and color is called
a light plot.
In describing dramatic space as "psycho-plastic," which "scenographer" (Europe's most celebrated in the 20th century) said "The goal of a designer can no longer be a description of a copy of actuality, but the creation of its multidimensional model?"
During performances, the person fully in charge of overseeing the execution of the show is the
production stage manager
The theatricalist use of lighting in Brecht's didactic theatre calls for
the lighting instruments being exposed and placed in full view of the audience
Which is an example of stereophonically located sound design?
an airplane flying overhead from left to right
The type of set that fostered a uniquely architectural theory of theatre was
the theatre of the fourth wall removed
Which kind of stage consists of a bare room able to adapt to a variety of staging possibilities?
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