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color and cosmetics

Terms in this set (100)

light
color begins with it, without it there would be no color
South rooms
warm bright, many hours neutralizer, blue gray green
West rooms
mainly warm light, only short cool, adaptable to cool Hues and gray
rods
receptors, most important part which responds to various degrees of light
cones
responsible for perception of color
bi-directional rooms
light enter from two directions with both warm and cool light
adjacent color
appearance of color may also be affected by the influence of
true
white filament light bulbs provide less illumination than daylight
Sir Isaac Newton
discovered light, sunlight is made up of seven pure colors, no dominant
unsaturated
in color illumination results when there is an excess of one of the compliments and very little of the other , example pink
dispersion
breaking up the sunlight into seven different colors
saturation
a fully saturated color Hue is pure and Vivid and is not changed and its brightness aspect or diluted with its complement
chroma
brightness of Illumination
color
identified by the wavelength of light reflected on an object
absorption
process of taking in , a color object absorbs certain rays of Light, which illuminates it while the other rays are reflected
additive method
process of mixing colored lights on a surface on which the wavelength of each are combined
reflection
the return of light rays from surface, the bending or folding back a part on itself
subtractive method
method of diminishing the wavelengths of Light by superimposing two or more color transparencies over the same light source
White
reflects all colors, combination of all spectrum color
emphasis
using the same color of light as the color of the object
black
absorbs all colors, absent all Spectrum colors (sunlight)
absorption
the process of taking in, as in colored objects which absorbs certain rays of light and reflects other Rays giving the object its recognizable color
true
black is not as dark as the complete absence of light
conversion
conversion the color of an object being converted or completely destroyed when one color of Illumination strikes an object of a completely different color
Hue, value, intensity
three dimensions to color
Point lighting
movement of light rays in a straight line creating Shadows
semi diffuse lighting
light rays are bounce off an object
hue
1st Dimension of color, refers to name and temperature
hue
the difference between two spectral colors is a difference of
diffused lighting
light rays are scattered in all directions from the light source same as flat lighting or indirect lighting
totally indirect lamp
ball is opaque all light rays are thrown to the ceiling and reflected down word for complete diffused light
warm hues
have longer wavelengths
semi indirect lamp
as a translucent Bowl which transmits direct Rays as well as indirect
Orange
said to be the warmest hue, reflect the sunlight
cool hues
have the shortest wavelengths, absorb heat rays of sunlight
Cove lighting
concave box light fixture extending around the walls of the room several feet from the ceiling
Alcove lighting
recessed in the wall for the casket, behind the side and top of the wall the lights can be hidden from View
blue
said to be the coolest hue
value
2nd dimension of color, lightness or darkness of a hue
trove lighting
long narrow receptacle with a reflecting surface
true
a light value is high, a dark value is low
dome lighting
large luminous light fixture usually with fluorescent bulbs submerged in the ceiling to provide direct light
flood or spot lighting
use his accent lights to illuminate the casket or the floral offering
true
different color clothes with different colors are distinguished by the value difference
tint
a hue with various quantities of white mixed (lightens the value)
chandelier, candelabra, and candle lighting
beautiful interior but may not provide adequate illumination
table and floor lamps
if used in the viewing room one must use white Shades and place away from the casket
shade
a hue with various quantities of black mixed (darkens the value)
casket lamp-lighting
an ornate fixture of gathered colors silk or ornaments with beading is hung on the open lid the casket
intensity
3rd dimension of color, degree of purity or dullness of a chromatic color
melanin
the determinate if pigment of all Races range from tan to Brown to Black
tone
grayed hue
carotene
yellow pigment of the skin like that of adipose tissue
tertiary colors
all gray hues (tones) where brown and slate tones appear
achromatic color
color not found in the visible spectrum, neutral color, white grey silver
freckles
result in uneven distribution of melanin
jaundice
yellow to Green discoloration
chromatic color
a color having hue; a color of the visible spectrum
Monochromatic colors
variation of one hue
Addison's disease
bronze discoloration
decomposition
green discoloration
tone
a hue mixed with a small amount of gray or its compliment, dulling or making less intense
complementary hues
one that lies opposite each other on the color wheel
arterial injection fluid
gray discoloration
chromatics
are the color wheel and basic colors
post mortem stain
purple discoloration, contusion or Hospital markings
dehydration
yellow brown discoloration
high-value hues
have the ability of increasing the apparent size of an object
ferrule
metal part holds hairs
juxtaposition
opposite, simultaneous contrast
Badger & Fitch
black and white
true
compliments enrich each other, no complement dull each other
goat
cheapest
low-value Hughes
decrease the size of a room and are good for floors
red Sable
expensive
eye fatigue
overstimulation by single hue,
China bristle, ox
good quality
after image
psychological, a visual impression remaining after the stimulus has been removed
synthetic, camel
not suitable
true
pure warm Hues Tire the eyes sooner than cool hues
Fringe
focus on a hue steadily around the edge of the Hue appears the Hues compliment
transparent
light rays can see through
interaction of hues
two non complementary Hughes are juxtaposed superimposed and there is enough of the Hue being seen, the over-stimulation of one raises its compliments and mixes it with the background to form a new hue
translucent
can almost see through
opaque
cannot see through
monochromatic colors
the color scheme involving one Hue, tints tones and shades of one hue
analogous color
a color scheme involving two or more Hughes which lie adjacent to each other on the color wheel and contain the same hue
complementary colors
a color scheme involves any two opposite Hues of the color wheel
Triad colors
a color scheme that involves 3 Hues, as near as possible and should be at least 3 Hues from each other on the color wheel
split complementary
a color scheme of 3 hues the two Hues on either side of the direct compliment
double compliments
a color scheme of four Hues, two adjacent Hues on the color wheel and their compliments
North rooms
cool light, Shadow rooms, use warm hues
East rooms
cool light, only a few warm hours, tends to give Hughes a harsh appearance, creamy buff Ivory tan
drying powder
unpigmented
tinting powder
contains pigment
pigmented powder
not used for drying used to add color to skin
Powder Puff
small amounts, used when casketing
atomizer
when least amount of powder is needed, fine mist
true
removal of excess powder should be removed with a powder brush
brush
referred by cosmetics
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