- MN, idolized Woody Guthrie; harmonica & guitar, creative imagery, raw sound, nonconventional vocal, 'finger-pointing' political messages; '62 "Blowin' in the Wind"
- '65 Subterranean Homesick Blues - plugs-in, inspired by Berry, more wordplay, lyrically opaque; fans felt betrayed; "Like a Rolling Stone" electric blues, organ, piano at Newport Folk Festival
- after Dylan, other lyrics increased sophistication (Beatles "Norwegian Wood" mixomedium/durian modes, Stones, Hendrix) - center of psychedelia; bands associated with NV Red Dog Saloon
- '66 San Francisco Oracle + Berkeley Barb news established hippie culture
- '67 Donahue founded KMPX-FM free-form radio for psychedelia
- '67 Human Be-In peaceful protests to "turn on, tune in, and drop out" as Leary described
1. The Grateful Dead - folk 60s, blues '65, Merry Pranksters' house band, "deadhead" fans; variable in quality, '70 "Dark Star" improv over modal chords
2. Jefferson Airplane - '65 RCA deal, '66 Slick adds innovation = "White Rabbit" Alice as metaphor, AABA, bolero, orchestral jazz - surrealism associates with psychedelia
3. Big Brother and the Holding Company - Janis Joplin, '68 Cheap Thrills puts blues in technicolor (with psychedelia)
4. Country Joe and the Fish - '65 Poets of the World/Our Time at Royal Hall sets psychedelia scene; Hollingshead's "World Psychedelia Center"
- '66 Spontaneous Underground avant-garde art performances weekly; London Free School of Social/Cultural Issues; Indica Shop; "Swinging London" by Time
1. Pink Floyd - '67-70s UFO Club, "14-Hour Technicolor Dream", '67 Piper at the Gates of Dawn space rock, dreamy, noise
2. Cream - '66 acid rock supergroup of Clapton (Yardbyrds), Baker (jazz bassist), Bruce; "Sunshine of Your Love" 24-bar blues, riff down pentatonix, wah-wah pedal, standardized doubling riffs for big sound
3. Jimi Hendrix - from SEA, '66 Chandler moves them to UK; '67 electric blues chords/melody in pop, call & response of vocals/guitar; stapled wah-wah, octavia doubling pedal, feedback, flanging; "Voodoo Child (Slight Return)", "Purple Haze" '70 tritone, distorted guitar - start of distortion, fuzz pedal, metal
1. Led Zeppelin - '69 formed, early music had plagiarism issues; epic structure loud/soft, dynamics, complexity, folk; Tolkien/mythology lyrics; "Whole Lotta Love" compound AABA similar to Waters' "You Need Lovin'" and "Stairway to Heaven" double-neck guitar (1 w 12-string) similar to Spirit's "Taurus"
2. Deep Purple - '68 feat double guitar/triple keys+bass in epic structure; blues, jazz, folk, acid, baroque, ; "Highway Star" '71 compound AABA, falsetto screams, driving, 1/8 rhythm; complex but fun lyrics
3. Black Sabbath - '68 associated with Gothic horror/satanist; "Black Sabbath" '70 epic structure, church bells, tritone riff, supernatural/sci-fi; "Iron Man" vocal, bass, guitar same riff - umbrella term for American music with own roots or Rock roots like Americana, Latin, country, southern
- harkens to blues, country, gospel/soul, R&B, jazz
- twangier electric/slide/acoustic, honky tonk piano, horns/harmonica, upright bass - or late 60s English art rock
- prog - bombastic, art - subtlety; rock elements to seek prestige; popularized concept albums and made rock "serious" listening
- technical emphasis (esp keys, guitar), prowess/virtuosity
- use of Mellotron analog sampler for detached, dreamy sound
- foregrounds horns, atypical time, roots, electronic, folk instruments
- bizarre, spiritual, "pretentious" lyrics (early examples set by Hendrix, the Who, Beatles, Zappa)
- punk emerges as backlash; "just need a beat and an attitude" - deemed more authentic; singer with backing band focus wrote confessionals of feelings, sincerity associated with Greenwich
- Bob Dylan, John Lennon, Carole King (successful: Tapestry '71, Music '72), Paul Simon - no Garfunkel, '72 "Mother and Child Reunion" ft Jamaican beat
1. James Taylor - Greenwich, defined 70s sound, LA soft rock; '70 "Fire and Rain" experiences of friend's suicide; some songs by King
2. Elton John - British, lyricist Taupin (TPA/Brill) adds imagery; "Your Song" '71
3. Joni Mitchell - Canadian, Toronto folk, jazz experienced, musically eclectic, electronics, alternate tunings; "A Case of You" '71 folky, spare, Appalachian dulcimer; "Help Me" '74
4. Neil Young - CAN, raw, roots rock, rough vocals; "Southern Man" inspiration for Lynyrd
5. Van Morrison - jazz, R&B, Celtic; "Brown Eyed Girl" '70 - strong groove, raspier timbre, bassier melodies, "chicken-scratch" guitar, horn staccatos, keys/electronic
- tied to Blaxploitation films
1. Sly & The Family Stone - '66 acid rock, soul, funk; integrated sex and race and inspired Davis jazz fusion + Motown acid rock "Cloud Nine" '68 The Tempt.; 70s less fuzz, more wah-wah, synocopation; "Thank You.." '69; There's a Riot Going On '71 funkier
2. Parliament/Funkadelic - afro-futurism with P = pop-soul, doo-wop, jazz, prog/F = acid, blues, hard rock; F-"Super Stupid" '71 vocables, guit/organ solos, defined funk rock; P- compound AABA, sampled by later g-funk
3. Marvin Gaye - self-writing/producing; lush, orchestrated, funky; What's Going On '71 Motown's 1st concept album, environmental, poverty, Vietnam, personal life
4. Stevie Wonder - self-w/p by '71; acclaimed albums to mid-70s; "Living for the City" compound AABA, A - 2 verses, classical, B - spoken skit
5. Earth, Wind, and Fire - globalized funk; influenced by Motown, Latin jazz/big band, African styles; positivity, spirituality, black unity; "Shining Star" '75 vocabularyChoose a word to replace the italicized word in each sentence. All of the possible choices for each sentence have similar definitions, but the correct answer will have a connotation that best suits the context. For example, the words "delete," "destroy," and "obliterate" all mean "to remove or wipe out," but no one would ever say, "I destroyed the name from the document." The correct choice will be the word that has the best specific meaning and does not render the sentence awkward in tone or content. When chokes seem close, look for a clue in the context that makes one choice better than the other. Choose a word to replace the italicized word in each sentence. All of the possible choices for each sentence have similar definitions, but the correct answer will have a connotation that best suits the context. For example, the words "delete," "destroy," and "obliterate" all mean "to remove or wipe out," but no one would ever say, "I destroyed the name from the document." The correct choice will be the word that has the best specific meaning and does not render the sentence awkward in tone or content. When chokes seem close, look for a clue in the context that makes one choice better than the other. Note that the correct answer is not always the primary vocabulary word from the lesson.
$$
\begin{matrix}
\text{lackeys} & \text{nervous} & \text{dead} & \text{impelled}\\
\text{uncontrollable} & \text{defunct} & \text{creative} & \text{slaves}\\
\text{moved} & \text{companions} & \text{judicious} & \text{cruel}\\
\text{insecure} & \text{} & \text{} & \text{}\\
\end{matrix}
$$
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