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78 terms

AP English Language & Composition

refers to language that describes concepts rather than concrete images (ideas and qualities rather than observable or specific things, people, or places)
an extended narrative in prose or verse in which characters, events, and settings represent abstract qualities and in which the writer intends a second meaning to be read beneath the surface of a story; the underlying meaning may be moral, religious, political, social, or satiric
a short, simple narrative of an incident; often used for humorous effect or to make a point
explanatory notes added to a text to explain, cite sources, or give bibliographical data
the presentation of two contrasting images. The ideas are balanced by word, phrase, clause, or paragraphs.
a short, often witty statement of a principle or a truth about life
usually in poetry but sometimes in prose; the device of calling out to an imaginary, dead, or absent person or to a place, thing, or personified abstraction
writing that attempts to prove the validity of a point of view or an idea by presenting reasoned arguments
Cacophony; Dissonance
harsh, awkward, or dissonant sounds used deliberately in poetry or prose; the opposite of euphony
descriptive writing that greatly exaggerates a specific feature of a person's appearance or a facet of personality
a word or phrase (including slang) used in everyday conversation and informal writing but that is often inappropriate in formal writing
Coherence; Unity
quality of a pierce of writing in which all the parts contribute to the development of the central idea, theme, or organizing principle
Concrete Language
language that describes specific, observable things, people, or places, rather than ideas or qualities
implied or suggested meaning of a word because of its association in the reader's mind
repetition of identical consonant sounds within two or more words in close proximity, as in boost/best; it can also be seen within several compound words, such as fulfill and ping-pong
a riddle whose answer is or involves a pun; it may also be a paradox or difficult problem
the process of moving from a general rule to a specific example
literal meaning of a word as defined
the picturing in words of something or someone through detailed observation of color, motion, sound, taste, smell, and touch; one of the four modes of discourse
word choice, an element of style; creates tone, attitude, and style, as well as meaning
writing whose purpose is to instruct or to teach. Usually formal and focuses on moral or ethical concerns. May be fiction of nonfiction that teaches a specific lesson or moral or provides a model of correct behavior or thinking
spoken or written language, including literary works; the four traditionally classified modes of discourse are description, exposition, narration, and persuasion
Emotion Appeal; Pathos
when a writer appeals to readers; emotions (often through pathos) to excite and involve them in the argument
the use of a quotation at the beginning of a work that hints at its theme
Ethical Appeal; Ethos
when a writer tries to persuade the audience to respect and believe him or her based on a presentation of image of self through the text. Aim is to gain an audience's confidence
a more acceptable and usually more pleasant way of saying something that might be inappropriate or uncomfortable.
a succession of harmonious sounds used in poetry or prose; the opposite of cacophony
an individual instance taken to be representative of a general pattern
the art of interpreting or discovering the meaning of a text. Usually involves close reading and special attention to figurative language
the immediate revelation to the audience of the setting and other background information necessary for understanding the plot; also explanation; one of the four modes of discourse
when a writer bases a claim upon an isolated example or asserts that a claim is certain rather than probable
a type of literary work, such as a novel or poem
anything that causes laughter or amusement
deliberate exaggeration in order to create humor or emphasis
a word or words, either figurative or literal, used to describe a sensory experience or an object perceived by the sense
words or phrases that use a collection of images to appeal to one or more of the five senses in order to create a mental picture
the process that moves from a given series of specifics to a generalization
a conclusion one can draw from the presented details
a verbally abusive attack
reversing the customary (subject first, then verb, then complement) order of elements in a sentence or phrase
the special language of a profession or group. Usually has pejorative associations with the implication that it is evasive, tedious, and unintelligible to outsiders
Logical Appeal; Logos
when a writer tries to persuade the audience based on statistics, facts, and reasons. The process of reasoning
songlike; characterized by emotions, subjectivity, and imagination
the method or form of a literary work; the manner in which a work of literature is written
similar to tone, mood is the primary emotional attitude of a work (the feeling of the work; the atmosphere). Syntax is also a determiner of this because sentence strength, length, and complexity affect pacing
the telling of a story in fiction, nonfiction, poetry, or drama; one of the four modes of discourse
an impersonal presentation of events and characters. It is a writer's attempt to remove himself or herself from any subjective, personal involvement in a story
when a writer obscures or denies the complexity of the issues in an argument
a figure of speech composed of contradictory words or phrases
the movement of a literary piece from one point or one section to another
a short tale that teaches a moral; similar to but shorter than an allegory
a statement that seems to contradict itself but that turns out to have a rational meaning
the technique of arranging words, phrases, clauses, or larger structures by placing them side by side and making them similar in form. Parallel structure may be as simple as listing two or three modifiers in a row to describe the same noun or verb; it may take the form of two or more of the same type of phrases that modify the same noun or verb; it may also take the form of two or more subordinate clauses that modify the same noun or verb
a work that ridicules the style of another work by imitating and exaggerating its elements
Pathetic Appeal; Pathos
When a writer tries to persuade the audience by appealing to their emotions. The aspects of a literary work that elicit sorrow or pity from the audience
a term used to describe writing that borders on lecturing
a form of argumentation, one of the four modes of discourse; language intended to convince through appeals to reason or emotion
an element in literature that conveys a realistic portrayal of a specific geographical locale, using the locale and its influences as a major part of the plot
word or phrase used two or more times in close proximity
Rhetorical Modes
exposition, description, narration, argumentation
Rhetorical Question
one that does not expect an explicit answer
harsh, caustic personal remarks to or about someone; less subtle than irony
a work that reveals a critical attitude toward some element of human behavior by portraying it in an extreme way
the voice of a work; an author may speak as himself or herself as a fictitious person
a character who represents a trait that is usually attributed to a particular social or racial group and who lacks individuality
an author's characteristic manner of expression - his or her diction, syntax, imagery, structure, and content all contribute
a personal presentation of events and characters, influenced by the author's feelings and opinions
a form of reasoning in which two statements are made and a conclusion is drawn from them
a figure of speech in which a party of something is used to represent a whole
Syntactic Fluency
ability to create a variety of sentence structures, appropriately complex and/or simple and varied in length
Syntactic Permutation
sentence structures that are extraordinarily complex and involved. They are often difficult for the reader to follow
the grammatical structure of a sentence; the arrangement of words in a sentence
the central idea or "message" of a literary work
the main idea of a piece of writing. It presents the author's assertion or claim.
the characteristic of emotion or attitude of an author toward the characters, subject, and audience
a word or phrase that links one idea to the next and carries the reader from sentence to sentence, paragraph to paragraph
the opposite of exaggeration. It is a technique for developing irony and/or humor where one writes or says less than intended
refers to two different areas of writing. One refers to the relationship between a sentence's subject and verb (active and passive).The second refers to the total "sound of a writer's style