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Women, Music, Culture, 3/e Chapter 9

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Call and response

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Terms in this set (18)

Call and response

Musical form where one or more musicians perform a musical phrase or statement (the call) and another soloist or group answers with another phrase or statement (the response)

West African musician-historian

in Western terms, a major scale with flatted third, fifth, and seventh tones

a five-tone melodic system

music that is based on modes (sequences of whole and half steps) other than major or minor

a succession of multiple pitches sung on a single syllable

the blending and merging of two or more distinct cultures into a distinctive new culture

Field cry/field holler

improvised monophonic song with flexible pitch and rhythm, sung by workers in the fields

religious music of Black Americans that originated in time of slavery

Great Migration

mass movement of southern Black Americans to Northern cities in the early decades of the 20th century

Black religious music that emerged in urban centers during the early decades of the 20th century

Sanctified church

an umbrella term for a number of black Baptist and Pentecostal churches

Barrelhouse-style

piano blues style that combined rag-inspired melodies with boogie-woogie bass lines

piano style that emerged in the 1930s; featured syncopated melody against driving, repeated bass figure

music industry term for recordings of black artists that were primarily marketed to black consumers