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André Derain, London Bridge (1906, oil on canvas)

perspective tilted; forshortened space.
bright colors push everything to the surface of the picture plane.
bright contrasts of solid unmixed color.
bold forms, powerful color effects.
color used expressively not descriptively.
short post-impressionist brushstrokes.

Henri Matisse, Woman with a Hat (1905, oil on canvas)

conventional composition.
violent contrasts of color.
energetic painterly brushwork.
exhibited at the 1905 Salon d'Automne in Paris

Franz Marc, Large Blue Horses(1911, oil on canvas)

______ was a founder of Der Blaue Reiter.
Swirling shapes and dynamic composition; suggests sweeping movement.
Emotional impact of blue color for horses.

Ernst Kirchner, Street, Dresden (1908, oil on canvas)

Uncomfortably close encounter with women on a Dresden Street.
Colors are nonrepresentational, but symbolic and chosen to provide a jarring impact.
Expressive quality of horrified facial features and grim surroundings.
Tilted perspective moves things closer to picture plane.

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