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Disguised as a cloud, this Roman god appeared to Io in the painting commissioned by Federico Gonzaga of Mantua
exuberant style of art that arose in Italy in the last half of the 16th century; style in which the Classicizing tendencies of the High Renaissance were rejected in favor of exaggeration and distortion
Painted five separate versions of the biblical story of Judith and Holofernes, was a follower of Caravaggio, and was one of the first female artists to receive international acclaim
born Domenico Theotokopulos; trained as icon painter in Crete; moved from Venice to Rome to Spain; wedded Mannerism with Byzantine iconographic style; painted to convey an intensely expressive spirituality; often utilized strong verticality to elongate figures
Spanish Baroque group portrait that used competing focal points to demonstrate complexity-- the light focuses on the princess Infanta Margarita but the title implies that the real subjects of the work are her attendants; the mirror focuses attention on king and queen, and the artist's self-conscious inclusion in the painting makes it to some extent a self-portrait
Baroque artist known for his revolutionary painting and public scandals including murdering a referee in a tennis match, carrying weapons illegally, throwing artichokes at a waiter, and street brawling; frequently dramatizes the moment of conversion through the use of tenebrism
Depicting the greatest hero of the picaresque tradition in Spanish literature, this tale uses everyday speech in dialogue; creates vivid and complex portraits of the main and subordinate characters, and presents the narrative in a solemn style free from affectation
adjective meaning "idealistic and impractical" that came into being in response to Cervantes' picaresque hero who had a penchant for "tilting at windmills" (fighting illusory battles)
Council of Trent
convened by the pope in 1545 in response to the threat of the Protestant Reformation and to outline a path of reform for the Church; intended to set the proper path for pious followers; spearheaded the Catholic Counter-Reformation; forbade the selling of Church offices (simony) and religious goods; insisted on the use of religious imagery in art.
technique that creates the illusion of greater space by making it seem as though forms are sharply receding; allows artists to make ceilings seem larger than they actually are; used to exaggerate depth
Brand of mystical Jewish thought that seeks to attain the perfection of Heaven while still living in this world by transcending the boundaries of time and space
artistic technique used in painting that makes use of large areas of dark contrasting sharply with smaller brightly illuminated areas
art term that in Italian literally means "light/dark"; use of slight gradations of light and dark to create special depth and volumetric forms
a genre of novel that narrates, in a realistic way, the adventures of a roguish hero of low social rank who is living by his wits in a corrupt society
term applied to strong centralized monarchies that exert royal power over their dominions, usually on the grounds of divine right; principle rooted in man/god kings of ancient Mesopotamia and Egypt
Peter Paul Rubens
Flemish Baroque painter renowned for his pictorial approach through lifelike allegory; known for painting women with dippled flesh and fleshy folds draping across their bodies; the beauty of his female subjects rests in the sensuality of their bodies shaped by the self-indulgence and excess of the elite; his scenes are characterized by exaggerated diagonal movement
Spanish court painter to Philip IV; studied in Venice, Florence, and Rome; disliked the paintings of Raphael because he found their linear style cold and inexpressive; painted Las Meninas (The Maids of Honor) that elevated the portrait to a level of complexity almost unmatched in the history of art
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