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Terms in this set (32)

She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.

The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard.
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard.

For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea
Was merely a place by which she walked to sing.
Whose spirit is this? we said, because we knew
It was the spirit that we sought and knew
That we should ask this often as she sang.

If it was only the dark voice of the sea
That rose, or even colored by many waves;
If it was only the outer voice of sky
And cloud, of the sunken coral water-walled,
However clear, it would have been deep air,
The heaving speech of air, a summer sound
Repeated in a summer without end
And sound alone. But it was more than that,
More even than her voice, and ours, among
The meaningless plungings of water and the wind,
Theatrical distances, bronze shadows heaped
On high horizons, mountainous atmospheres
Of sky and sea.
It was her voice that made
The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world
In which she sang. And when she sang, the sea,
Whatever self it had, became the self
That was her song, for she was the maker. Then we,
As we beheld her striding there alone,
Knew that there never was a world for her
Except the one she sang and, singing, made.

Ramon Fernandez, tell me, if you know,
Why, when the singing ended and we turned
Toward the town, tell why the glassy lights,
The lights in the fishing boats at anchor there,
As night descended, tilting in the air,
Mastered the night and portioned out the sea,
Fixing emblazoned zones and fiery poles,
Arranging, deepening, enchanting night.

Oh! Blessed rage for order, pale Ramon,
The maker's rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.
I knew too that through them I knew too that he was through, I knew too that he threw them. I knew too that they were through, I knew too I knew too, I knew I knew them.
I knew to them.

If they tear a hunter through, if they tear through a hunter, if they tear through a hunt and a hunter, if they tear through different sizes of the six, the different sizes of the six which are these, a woman with a white package under one arm and a black package under the other arm and dressed in brown with a white blouse, the second Saint Joseph the third a hunter in a blue coat and black garters and a plaid cap, a fourth a knife grinder who is full faced and a very little woman with black hair and a yellow hat and an excellently smiling appropriate soldier. All these as you please.

In the meantime examples of the same lily. In this way please have you rung.


WHAT DO I SEE?

A very little snail.

A medium sized turkey.

A small band of sheep.

A fair orange tree.

All nice wives are like that.

Listen to them from here.

Oh.

You did not have an answer.

Here.

Yes.


A VERY VALENTINE.

Very fine is my valentine.

Very fine and very mine.

Very mine is my valentine very mine and very fine.

Very fine is my valentine and mine, very fine very mine and mine is my valentine.


WHY DO YOU FEEL DIFFERENTLY.

Why do you feel differently about a very little snail and a big one.

Why do you feel differently about a medium sized turkey and a very large one.

Why do you feel differently about a small band of sheep and several sheep that are riding.

Why do you feel differently about a fair orange tree and one that has blossoms as well.

Oh very well.

All nice wives are like that.




To Be

No Please.

To Be

They can please

Not to be

Do they please.

Not to be

Do they not please

Yes please.

Do they please

No please.

Do they not please

No please.

Do they please.

Please.

If you please.

And if you please.

And if they please

And they please.

To be pleased

Not to be pleased.

Not to be displeased.

To be pleased and to please.


KNEELING

One two three four five six seven eight nine and ten.

The tenth is a little one kneeling and giving away a rooster with this feeling.

I have mentioned one, four five seven eight and nine.

Two is also giving away an animal.

Three is changed as to disposition.

Six is in question if we mean mother and daughter, black and black caught her, and she offers to be three she offers it to me.

That is very right and should come out below and just so.


BUNDLES FOR THEM.

A HISTORY OF GIVING BUNDLES.

We are able to notice that each one in a way carried a bundle, they were not a trouble to them nor were they all bundles as some of them were chickens some of them pheasants some of them sheep and some of them bundles, they were not a trouble to them and then indeed we learned that it was the principal recreation and they were so arranged that they were not given away, and to-day they were given away.

I will not look at them again.

They will not look for them again.

They have not seen them here again.

They are in there and we hear them again.

In which way are stars brighter than they are. When we have come to this decision. We mention many thousands of buds. And when I close my eyes I see them.


If you hear her snore

It is not before you love her

You love her so that to be her beau is very lovely

She is sweetly there and her curly hair is very lovely

She is sweetly here and I am very near and that is very lovely.

She is my tender sweet and her little feet are stretched out well which is a treat and very lovely

Her little tender nose is between her little eyes which close and are very lovely.

She is very lovely and mine which is very lovely.


ON HER WAY.

If you can see why she feel that she kneels if you can see why he knows that he shows what he bestows, if you can see why they share what they share, need we question that there is no doubt that by this time if they had intended to come they would have sent some notice of such intention. She and they and indeed the decision itself is not early dissatisfaction.


IN THIS WAY.

Keys please, it is useless to alarm any one it is useless to alarm some one it is useless to be alarming and to get fertility in gardens in salads in heliotrope and in dishes. Dishes and wishes are mentioned and dishes and wishes are not capable of darkness. We like sheep. And so does he.


LET US DESCRIBE.
Let us describe how they went. It was a very windy night and the road although in excellent condition and extremely well graded has many turnings and although the curves are not sharp the rise is considerable. It was a very windy night and some of the larger vehicles found it more prudent not to venture. In consequence some of those who had planned to go were unable to do so. Many others did go and there was a sacrifice, of what shall we, a sheep, a hen, a cock, a village, a ruin, and all that and then that having been blessed let us bless it.
Nineveh, Tyre
Babylon,
Not much lef'
Of either one.
All dese cities
Ashes and rust,
De win' sing sperrichals
Through deir dus'....
Was another Memphis
Mongst de olden days,
Done been destroyed
In many ways...
Dis here Memphis
It may go
Floods may drown it;
Tornado blow;
Mississippi wash it
Down to sea—-
Like de other Memphis in
History.

2

Watcha gonna do when Memphis on fire,
Memphis on fire, Mistah Preachin' Man?
Gonna pray to Jesus and nebber tire,
Gonna pray to Jesus, loud as I can,
Gonna pray to my Jesus, oh, my Lawd!

Watcha gonna do when de tall flames roar,
Tall flames roar, Mistah Lovin' Man?
Gonna love my brwonskin better'n before—
Gonna love my baby lak a do right man,
Gonna love my brown baby, oh, my Lawd

Whatcha gonna do when Memphis falls down,
Memphis falls down, Mistah Music Man?
Gonna plunk on dat box as long as it soun'
Gonna plunk dat box fo' to beat de ban',
Gonna tickle dem ivories, oh, my Lawd!

Watcha gonna do in de hurrican,
In de hurricane, Mistah Workin' Man?
Gonna put dem buildings up again,
Gonna put em up dis time to stan',
Gonna push a wicked wheelbarrow, oh, my Lawd!

Watcha gonna do when Memphis near gone,
Memphis near gone, Mistah Drinkin' Man?
Gonna grab a pint bottle of Mountain Corn,
Gonna keep de stopper in my han',
Gonna get a mean jag on, oh, my Lawd!

Watcha gonna do when de flood roll fas',
Flood roll fas', Mistah Gamblin' Man?
Gonna pick up my dice fo' one las' pass—-
Gonna fade my way to de lucky lan',
Gonna throw my las' seven—-oh, my Lawd!

3

Memphis go
By Flood or Flame;
**** won't worry
All de same—-
Memphis go
Memphis come back,
Ain' no skin
Off de ****'s back.
All dese cities
Ashes, rust....
De win' sing sperrichals
Through deir dus'.
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.

Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything?The tree
Budding yearly must forget
How its past arose or set
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.

Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.

Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.

All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.