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Folder 13 Quiz - Realism to Expressionism
Terms in this set (20)
Paul Cézanne used ________ in his work Mont Sainte-Victoire.
Alexandre Cabanel's Birth of Venus is an example of ________ painting.
Gustave Courbet's Stonebreakers alarmed upper-class viewers because:
it reminded them of recent uprisings by the poor.
This work by Rosa Bonheur, with its atmospheric perspective and focus on the musculature and movement of the horses, is an example of:
Camille Claudel's sculpture The Waltz received some criticism for being too ________.
The Tassel House by Victor Horta embodies what style?
Vincent van Gogh used thick swirls of paint in his work Starry Night. This technique is called ________.
Vasily Kandinsky's Improvisation #30 (Cannons) was inspired by ________.
talk of war just before World War I began
Artists in the Pre-Raphaelite Brotherhood were inspired by works from:
the Middle Ages.
This was NOT an important aspect of photography.
It was a way for the upper-classes to flaunt their wealth.
Claude Monet created several series of paintings in which he would focus on a single subject but alter light, atmosphere, and time of day.
Emily Mary Osborn's Nameless and Friendless depicts the experience of:
a female artist trying to sell her work
Pierre-Auguste Renoir's Bal du Moulin de la Galette ________.
depicts the new, urban, middle classes enjoying their leisure time
Which characteristic taken from Japanese prints did Mary Cassatt NOT utilize in The Child's Bath?
flat skin tones
__________ was influenced by political and social satire, the Industrial Revolution, communism, and direct observations of science and nature.
Kathe Kollwitz's artwork was strongly influenced by her experiences:
of World War I and World War II.
What role did photography play for the artist Edgar Degas?
he used it along with other media
Gustave Courbet described his own work as "realist."
__________ is NOT a characteristic of Berthe Morisot's The Beach at Nice or Impressionism in general:
A staged scene - ?
Thomas Le Clear's Interior with Portraits was a commentary on:
the tension between photography and painting.
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