Pop Music Test 2

The Golden Age of Tin Pan Alley Song
professional tunesmiths wrote some of the most influential and commercially successful songs of the period. The potential for fame and success lured composers and lyricists with diverse skills and backgrounds
Richard Rodgers
produced many of the finest songs of the period, with his lyricists Lorenz Hart and Oscar Hammerstain II, was college educated and son of a doctor
Cole Porter
born into a wealthy family in Indiana, studied classical music at Yale, Harvard, and Schola Cantorum in Paris
George Gershwin
the son of an immigrant leatherworker, the songwriter who did the most ot bridge the gulf between art music and popular music. Studied European classical music but also spent a great deal of time listening to jazz musicians in NYC
Jewish Immigrants
from central and eastern europe. Played a central role in the music business during the early 20th century as composers, lyricists, performers, publishers, and promoters
Irving Berlin
born named Isadore Baline, the most productive varied and creative of Tin Pan Alley songwriters. His career started before WW1 and continued into 60s. Often composed from 3-7 songs a week. Catalog of his compositions available in print with 899 songs
Irving Berlin's Most Famous Songs
Alexander's Ragtime Band, Blue Skies, Cheek to Cheek, There's no business like show business, white Christmas, and God Bless America
Irving Berlin's Background
european immigrant, born in Russia, his family fled the anti-jewish pogrom in 1892. Began life in america in poverty, began his career as a song plugger
Alexander's Rag Time Band
published in 1911, the song that first brought Berlin mass acclaim. Actually had little to do with ragtime as performed by the great black ragtime pianists of the day. Sold 1.5 million copies almost immediately
Berlin wrote songs for Film. Blue Skies was performed by Al Jolson in the first Talkie -the jazz singer. Berlin wrote the entire score of the Marx Brother's debut movie: The Cocoanuts. The Film Holiday Inn introduced 'white christmas'
Broadway musical Annie Get Your Gun, Berlin was the most prolific and consistent of Tin Pan Alley Composers, career spanned almost 60yrs
Tin Pan Alley Song Form
AABA structure, verse and chorus form of After the Ball (verse-refrain form, with an AABA refrain), has 2 major sections: the verse and the refrain/chorus
the verse usually sets up the dramatic context or emotional tone of a song. Most important part of 19th century popular songs. They were regarded as mere introductions by the 1920s. Today, the verses of Tin Pan Alley songs are rarely performed.
today is generally considered the 'song'. Made up of four sections of equal length, A- the main melody & basic pattern of lyrics and chords to support them. 'a' section is repeated with new lyrics and slight variation, bridge- new material (new melody and chord changes), A melody and chords are repeated
Listening 'My Blue Heaven'
performed by Gene Austin. This recording was one of the bestselling records of the era. Form was verse refrain; refrain was four AABA sections and all A sections end with 'my blue heaven'
Gene Austin
one of the first crooners (singers who mastered the intimate style of singing made possible with the electric microphone)
My Blue Heaven Depicts
the deepest aspirations of the Tin Pan Alley listening public. The lyrics poetically reinforce a familiar and comfortable motif of the american dream: home and family. Gene Austin's performance reinforces the sentiments expressed in the lyrics : quiet intimacy and tranquility
Listening; "April Showers'
performed by Al Jolson. This recording reveals the sound and style of the premicrophone period. Jolson's singing style reflects the performance techniques used on the vaudeville stage. His vocal style was declamatory rather than lyrical, form- verse refrain
April Showers Performed
the brief introduction played by the dance band does not present any music from the verse or the refrain. Jolson breaks into rhythmic speech during the repetition of the refrain, considerable heightening the impact of the performance
What are Tin Pan Alley Songs about?
predominantly aimed at white, urban middle and upper-middle class Americans. Said little in the way of social or political commentary. Were generally escapist, privacy and romance.
Tin Pan Alley and Broadway
mutually beneficial relationship, close proximity, fruitful relationships in the 20s and 30s, the so called Golden Age of Tin Pan Alley Song (20s-30s)
featured sequences of diverse skits, songs, dances, and performers. Shows that were obvious successors to vaudeville, with titles such as 'follies' and 'scandals', remained popular with audiences of the time
Show Boat
a music, with score by Jerome Kern and lyrics by Oscar Hammerstein II, tremendous success. For its time, it was a show of unprecedented seriousness and depth. Attempt to tie songs to characters and situations
conceived as a highly integrated whole. On the rise in the 40s. Partnership between Oscar Hammerstein II and Richard Rodgers, beginning in 1943 with Oklahoma! marks the triumph of this conception
Rock N Roll
when rock n roll took over the pop charts in the later 1950s, the connection between broadway and mainstream popular song had completely dissolved
1. songs that remain an essential part of the repertoire of today's jazz musicians and pop singers 2. possess a continuing appeal that surpasses nostalgia 3. Tin Pan Alley composers produced many standards
George Gershwin's songs
set new standards in excellence in terms of harmonic complexity and melodic flow. He was more classically trained and ambitious than other songwriters. Sought and achieved success in the world of concert music and popular music, influenced by jazz and blues
I Got Rythm
written by George Gershwin, performed by Ethel Merman, an up tempo Tin Pan Alley song. Verse Refrain form. Refrain: syncopation, conveys a jazz influenced flavor, shifts to a major key, unlike anything before. Verse is slow, minor key, little syncopation
Ethel Merman
sings in a style similar to Al Jolson, she is a belter.
Embraceable You
written by George and Ira Gershwin, performed by Nat King Cole. Instrumentation; trio of piano, guitar, and bass. The verse is omitted, after a brief instrumental introduction
Conclusion of the Golden Age
popular song both reflected and helped shape the profound changes in American society
Intermixing of high and low cultures
the adoption of new technologies, expansion of corporate capitalism, increasingly intimate interaction of white and black cultures during a period of virulent racism, the emergence of a truly national popular culture
Musical Diversification
record companies targeted new audiences between WW1 and WW2. Recorded music derived from folk traditions of the American south, millions of people from rural communities migrated to northern cities after WW1
Race Records and Hillbilly Music
terms used by the American music industry to classify and advertise southern music
Race Records
recordings of performances by African American musicians produced mainly for sale to African American listeners
Hillbilly or Old-Time
music performed by and intended for sale to southern whites
Mamie Smith
Queen of the Blues, pioneer blues singer, pianist, black vaudeville performer. Success as a recording artist opened up the record industry to recordings by and for African Americans.
Mamie Smith's bestsellers
Crazy Blues, Its Right Here For You, If you Dont Get It, Tain't no fault of mine
Ralph Peer
first person to apply the term Race Music, a missouri-born talent scout for Okeh Records. Had worked as an assistant on Mamie Smith's first recording sessions
Race Records
performances included a variety of musical styles: blues, jazz, gospel choirs, vocal quartets, string bands, jug and washboard bands. Verbal performances included: sermons, stories, comic routines
The Blues
1. describes a feeling, 2. refers to the blues style of singing or playing (vocals are intensified speech, narrow range, rough, highly inflected timbre),3. indicates a musical form, 12 bar chorus AAB
Blues Form
A standard rhythmic harmonic structure in which a 12 bar chord progression is tied to the AAB text in 3 four bar phrases. Also called "twelve bar blues"
Text of a Blues Song
rhymed couplet, each chorus of a blues song contains two lines of text with the first line repeated, AAB
Form of a Blues Song
Melodic form- each line is sung to its own melodic idea
Rhythmic Form- each phrase of a standard chorus lasts 4 bars. One chorus of a blues song is 12 measures long
Harmonic Form- the harmony of a blues song is I, IV, and V chords
Classic Blues
songs were performed by high-class nightclub singers (Alberta Hunter and Ethel Waters). Singers performed in a rougher style.
Alberta Hunter
Billed as the Marian Anderson of the blues
Ethel Waters
entertained the growing African American middle class in NY, Chicago, and other Northern cities
Gertrude 'Ma' Rainey
popularly known as the Mother of the Blues, developed singing style at black vaudeville and tent shows
Bessie Smith
empress of the blues, developed singing styles in black vaudeville and tent shows. Most important and influential woman in blues. Stylistically a blues singer even when in vaudeville shows. Centerpiece of Columbia's race record labels
W C Handy
father of the blues. Most influential of classic blues composers. Cofounded the first African American owned publishing house. His music owed much to Tin Pan Alley as well as African American folk traditions. his biggest hit: St Louis Blues
Listening: St. Louis Blues
written by W C Handy, sung by Bessie Smith. Introduced White America to the blues. A Hybrid approach to the blues, removed from the down home interpretation like country blues
Accompaniment of St Louis Blues
reed organ and cornet, Louis Armstrong on Cornet. Call and response between cornet and Smith.
The Country Blues
rural, down-home, or folk blues. Itinerant male folksingers traveled the rural South/Delta region. The blues was the music of this impoverished black work force. The rural musicians who played this style of music were not recorded until the mid 1920s
Charley Patton
one of the earliest known pioneers of the Mississippi delta blues style. Son of Sharecroppers. Charismatic figure whose performances included rapping on the body of his guitar and throwing it into the air. Rasping voice, strong danceable rhythms, broad range of styles made him ideal for dances and picnics.
Listening: Tom Rushen Blues
performed by Charley Patton. Recorded by Paramount Records, 12 bar form, 3 chords. AAB text. Patton sings in a rough heavy voice. Empathetic approach to guitar playing also represents delta blues. Lyrics focus on Patton's incarceration in Mississippi for moonshine.
Blind Lemon Jefferson
the 1st country blues star. Traveling performer. 1st records released in 1926. East Texas style, vocal quality is more nasal and clearer than Delta. Guitar is sparse and less rhythmically steady, but used as extension of the voice. Denied any profits form his hit records, died destitute
Listening: That Black Snake Moan
written and performed by Blind Lemon Jefferson. Recorded by paramount records. Melody consists of brief repeated ideas. Each of the stanzas has same melody. Call and response between voice and guitar
Lyrics to That Black Snake Moan
no precise chronological order of events. Obviously a sexual encounter is being described
Robert Johnson
No country blues artist has greater influence on later generations of blues and rock. Complete output was reissued on CD in 1990 and was a surprise million-seller. His early years are a mystery, supposedly sold his soul to the devil to play guitar. Only released 11 records in his lifetime. Died a victim of poison from jealous husband.
Robert Johnson Influenced
Keith Richards, guitarist of rolling stones. and Eric Clapton whose band Cream released a celebrated cover of Johnson's 'Cross Road Blues'
Listening: Cross Road Blues
vocal like intensified speech, melody/vocal moves freely over rhythm. Guitar Accompanies and answers voice, call and response with voice and guitar. Rough untrained vocal timbre, free approach to the blues, not always 12 bar chorus
Hillbilly or Country Music
commercially produced music associated with the rural white south and southwest. Reflects values and traditions of the performers who were rural, poor, southern whites. Its a regional music with international following
Musical Elements of Country Music
clear honest vocal style, southern dialect (accent), nasal vocal timbre, no vibrato. Most other elements of country come from other sources like european folk, parlor songs, jazz, and blues. Balance between traditional and outside elements has defined the fundamental tension in country music, old country vs. new country
Hillbilly Records
the designation for recordings of early country music. The first commercially successful hillbilly record featured Fiddlin' John Carson. Made by Okeh records during expedition to Atlanta led by Ralph Peer.
important in rapid growth of hillbilly market. made music accessible to larger audience. played a lesser role in popularizing race music (most stations owned by whites). 1st station to feature country artists was WSB in Atlanta
Grand Ole Opry
Nashville, center of country music. It was a radio show braodcast from Nashville on WSM
Vernon Dalhart
light-opera singer who recorded 1st big country music hit. Recorded a hillbilly record to cash in on the new genre. He recorded two songs; Wreck of the old 97 and The Prisoner's song
Pioneers of Country Music
The carter family and Jimmie Rodgers were both discovered at a recording session in Bristol, Tennessee. Their fame was boosted by hit records and radio appearances. They had a profound impact on generations of country and western musicians
The Carter Famiily
regarded as one of the most important groups in the history of country music. Presented more conservative elements - god, home, high moral values. They were from isolated Clinch Mountains, Virginia. The carters were not professional musicians when career started.
A.P. 'Doc' Carter
Leader, collected and arranged folk songs that formed inspiration, also sang bass.
Sara Carter
sang most lead vocal parts and played autoharp or guitar, had a classic singing style like english ballad.
Maybelle Carter
sang harmony, played steel guitar and autoharp. developed an influential guitar style which involved playing the melody on the bass strings while brushing the upper strings on the offbeats for rhythm
Gospel Ship
by the carter family, gospel recording. Features a straightforward unadorned performance style. Dark vocal timbre of Sara, clean guitar style of Maybelle
The Carter Family Music Style
preserved traditional music of their native home by adapting old folk music songs. Repertoire also included old hymns and sentimental songs reminiscent of the Tin Pan Alley tradition at turn of the century. They made over 300 recordings for half a dozen companies
Jimmie Rodgers
1st inductee to Country Music Hall of Fame. Most versatile progressive and widely influential of all early country recording artists. Known for his blue yodel and railroad image.
Listening: Blue Yodel No 11
written and performed by Jimmie Rodgers. particularly close to rural black models. Typical blues song (text, melodic style, form). Highly personal tone. Singing style rooted in blues, Yodels between stanzas. Uses guitar strictly as accompaniment, no attempt to set up melodic response or rhythmic counterpoint to his vocal
Listening: Waiting for a Train
written and performed by Jimmie Rodgers. A hobo song with a dark mood reinforced by Rodger's lonesome yodel. Song is based on strophic form, but rodgers employs a number of strategies to avoid monotony. He freely varies the basic melody as he goes along
Structure of Waiting for a Train
varies the close of every 3rd strophe to produce a firm cadence, while allowing other strophes to end inconclusively
Listening: Dreaming with Tears in my Eyes
written by Jimmie Rodgers and Waldo L O'Neal, performed by Jimmie Rodgers. prominent triple meter clearly recalls the waltz songs of the late 19th century. Jimmie died 8 days after recording this song
Lyrics to Dreaming with Tears in my Eyes
provide a wonderful example of humble, virtually invisible artistry. Abundant open vowel sounds that 'sing' beautifully. Triple meter of the music already explicit in the natural rhythms of the words
Popular Music and the great Depression
Threw millions of Americans out of work, had a major impact on the music industry. Race record market crushed by economy. Hillbilly record sales also effected but not as severely. Hillbilly and blues singers injected a note of social realism into popular music
Woodrow Wilson 'Woody' Guthrie
one of the muscians most closely associated with the plight of American workers during the great depression. Began his career as a hillbilly singer, performing the songs of the Carter Family and Jimmie Rodgers.
The life of Woodrow Wilson 'Woody' Guthrie
Known primarily as a protest singer. migrated to Cali as part of the stream of impoverished 'okies' described in John Steinbeck's novel The Grapes of Wrath. Wrote songs overtly political in nature. Sign on guitar said 'this machine kills fascists'. He had direct influence on later urban folk musicians such as Weavers and Bob Dylan
Woodrow Wilson 'Woody' Guthrie songs
This Land Is your Land, Talking Dust Bowl Blues, and Ludlow Massacre
The Swing Era
beginning in 1935, a new style of jazz-inspired music called 'swing' transformed American Popular music. Initially developed by black dance bands in NY, Chicago, and Kansas City
The Word Swing
like jazz, blues, and rock n roll, derives from African American English
Big Bands
hundreds of large dance orchestras directed by celebrity bandleaders dominated the national hit parade. Many of the bands crisscrossed the country in buses, playing for dances and concerts at local dance halls, theaters, and colleges
Swing and the Music Business
the record industry began to recover from the Depression, well over half the records that sold more than a million copies were made by big dance bands. Swing music pulled the American music industry out of the great depression
The Lindy Hop
named in honor of Charles Lindbergh's solo transatlantic flight. Differed from popular jazz dance styles of the early 1920s. Smoother, with more fluid horizontal movements, provided greater scope for improvisation including the 'breakaway' when dancers would part company and dance solo
had many famous night clubs and dance halls, The Savoy Ballroom, The Cotton Club, The Apollo Theater. Originally populated by European immigrant groups. Home to a substantial well educated and relatively prosperous black middle class
The Cotton Club
black and tan nightclub, generally owned and operated by Italian and Jewish mobsters. Audiences were predominantly white. Most successful dance orchestra was led by Duke Ellington and Cab Calloway, provided musical accompaniment for stage acts featuring scantily clad 'brown beauties' men in ape costumes and jungle scenery
Black and White in the Swing Era
a step forward in cultural communication across racial boundaries. Blacks attended concerts by white dance bands. White people began to study and imitate black culture with greater passion and in greater numbers than ever before
Not Full Equality in the Swing Era
only a handful of dance bands were racially integrated, even the most popular of black dance bands faced serious economic and social disadvantages
What Big Bands Brought
youthful energy back to American popular music, its core audience initially consisted of college-age adults and teenagers. Swing was exciting, brash, vital music, inspired by black aesthetics and consonant with the growing optimism of a nation emerging from a devastating economic depression
one of the signal features of swing music. Central to AA musical traditions.Black dance band arrangers began to apply this principle to ensemble writing, treating brass and reed instruments as separate sections and setting them off against one another. The basic approach in which conversations were set up between parts of a band was later adopted by white bands.
Features of Big Band Swing Music
rhythmic feeling of swing music is more continuous and flowing. Bass plays on all four beats in a measure - walking the bass. Drummer plays all four beats with the bass drum pedal - four on the floor. and playing a regular tapping pattern on the largest cymbal - a ride cymbal
Listening: Wrappin' It Up
music and arrangement by Fletcher Henderson. Performed by Henderson and his Orchestra. Has all characteristics of swing music, smooth ensemble. call and response patterns between brass and reeds, steady flowing groove, bass and drums on all four beats. ABAC structure.
The Henderson Band
considerably larger than most syncopated dance bands. Five brass instruments, four reed instruments, rhythm section consists of piano, bass, drums, and guitars. Total of 13 musicians
Wrappin It Up Example
great example of the rhythmic flow and texture of swing music but also of the balance between simplicity and complexity that characterizes the best big-band arranging. Arrangement was later provided to Benny Goodman, who recorded it in 1938
Benny Goodman
king of swing, born in chicago son of working class eastern european jewish immigrants. Made 1st record under his own name, freelance musician during the depression years
Benny Goodman career with John Hammond
Hammond boosted Goodman's career. Arranged Goodman's first recording dates with Columbia. Pushed the band in the direction of more strongly jazz influenced music.
John Hammond
influential jazz enthusiast and promoter, was an artist and repertoire man with Columbia Records. Helped Benny Goodman, Bessie Smith, Billie Holiday, Aretha Franklin, Bob Dylan, Bruce Spingsteen secure recording contracts with Columbia Records
The Goodman Band tour
appeared on NBC radio show: Lets Dance. Summer tour 1935, tour didn't begin successfully, audiences were not interested in the 'hot arrangements', bottomed out in Denver Audiences wanted their money back. Huge success in Cali, their success signaled the birth of the swing era
William 'Count' Basie
Basie's band was the most closely associated with the blues tradition. Born in NJ, early experience was as a piano player and bandleader in Kansas City
Kansas City
had a famously crooked mayor, Boss Pendergast. Many of the greatest jazz musicians honed their improvisational skills at competitive all night jam sessions. Black dance bands in Kansas city had developed their own distinctive approach to playing hot dance music
The Bennie Moten Orchestra and Andy Kirk's Blue Devils
toured southwestern US developing a hard-swinging powerful style with lots of improvised solos. Linked to country blues tradition, relied heavily on riffs.
Kansas City Bands
tended to swing more intensely and with greater abandon than East Coast dance bands. relied heavily on 'head charts', few had formal music education
Boogie Woogie
blues piano tradition. from southwest territory. developed in the environment of the barrelhouses, solo pianists developed a powerful style that could be heard over the crowd noise.
Count Basie's Band
john hammond helped them get a new recording contract with new record company Decca, interested in capitalizing on the swing craze
Listening: One O Clock Jump
written by Count Basie and Harry James, performed by Count Basie and his Orchestra, recorded by Decca. Orchestra's theme song. Excellent example of Kansas City band's relaxed but energetic rhythmic feel. flexible arrangements, improv
Structure of One O Clock Jump
heavy use of riffs and call and response patterns. succession of improvised jazz solos. Melody only appears in the next to last chorus
Edward Kennedy (Duke) Ellington
widely regarded as one of the most important American musicians of the 20th century. Born in DC, son of a navy blueprint maker. middle class background. received formal training.
The Washingtonians
Duke Ellington's first band, played syncopated dance music. 3 years later the band was heard by a song publisher and promoter named Irving Mills, arranged a recording contract for them.
Ellington Band at the Cotton Club
band had to accompany 'exotic' revues, developed a style called 'jungle music' characterized by dense textures, unusual harmonies. Stereotypical music of black culture provided the basis for a unique approach to arranging for the big band.
Ellington's Individual Approach to Writing
devised unusual musical forms, combined instruments in unusual ways, distinctive tone colors, extreme registers of instruments, dissonant chord voicings. Aided by the stability of his band, he wrote parts for specific musicians
Less Commercial Success for Ellington
well respected but less commercial success, his idiosyncratic approach meant that his band enjoyed less commercial success than more mainstream sounding dance orchestras
Listening: KoKo
music and arrangement by Ellington, 12 bar blues. Mood is not the typical happy upbeat feel, ensemble sound is dark and thickly textured
Glenn Miller
trombonist/bandleader. Miller Orchestra was the most popular dance band in the world, record breaking record sales and concert attendance. Songs are still popular with swing dancers, developed a peppy clean sounding style that appealed to small town mid-western people as well as to the big city. Led a military band, died in plane crash in WWII
Listening: In The Mood
performed by Glenn Miller and His Orchestra. number 1 on record charts for 12 weeks. best known recording of swing era, tune based on a short riff featured in the saxophones. 12 bar blues. famous improvised trumpet solo later became permanently written in music. 'Trick' ending, the band getting quieter and quieter exploding into a big finish
Mills Brothers
african American vocal harmony group. The most successful and longest-lived of the swing era vocal groups. Perfected a secular version of the African American jubilee quartet tradition. Their smooth jazz influenced style appealed to a broad audience. one of the 1st black musical groups to broadcast on network radio and score commercial success in mainstream pop
Listening: Paper Doll
performed by the mills brothers, their biggest hit record. Sold over 6 million copies. stayed on pop charts for 36 weeks, 12 at number 1. sophisticated vocal arrangement of a Tin Pan Alley long song
Decline of the Big Bands
the swing era lasted almost a decade, ending suddenly. 1946 top dance bands had either broken up or formed smaller more economical units, related to changes in music business as well as shifts in popular musical taste
Broadcast Music Incorporated (BMI)
allowed songwriters outside of Tin Pan Alley to collect royalties from the use of their songs in the broadcast media. Boosted country and western and rhythm and blues musicians.
feud with radio network over royalties. Called a strike withdrawing rights to broadcast any material composed by their members. Strike put many dance band musicians out of work
Country Music in the Swing Era
white southerners migrated in search of industrial employment, forming enclaves in urban centers and creating a new urban audience for hillbilly music. Country music also appears to have spread among many people who were not born in the south. Country music on the radio
Expansion of Country Music during The War
formation of BMI provided opportunities for country songwriters to publish their own compositions to receive royalties. American federation of musicians recording ban created more recording opportunities for hillbilly musicians, most of whom were not allowed to join the union, small independent record labels
Country Music's popularity during the war
themes of sentimentality, morality, and patriotism were prominent in hillbilly records.
Roy Claxton Acuff
most popular hillbilly singer of the swing era. Began his career with a traveling medicine show. Formed his own band Crazy Tennesseans. Performed in a style that was self consciously rooted in southern folk music. southern twang. fiddle, banjo, and guitar
Roy Claxton Acuff's rise to fame
due to the popularity of two songs that are still closely associated with him: Wabash Cannon Ball, Great Speckled Bird. Traditionalist, accepted only innovations that fit within the framework of musical traditions he knew from Tennessee
Listening: Great Speckled Bird
widely regarded as the national anthem of country and western music. Acuff's first hit record. Recorded in Chicago. Acuff's rendition crossed over to the mainstream pop charts reaching #13.
Lyrics to Great Speckled Bird
composed by a southern preacher. portray the church as an embattled group of individuals. The speckled bird is a metaphor for the church, a sign of God's word, and a vehicle for the salvation of the faithful
Traditional Ethos of Great Speckled Bird
one sourth of appeal to southern listeners. Acuff's straightforward unadorned vocal performance. Melody is similar to a song by the carter family, familiar to listeners. Strophic ballad pattern
The dobro
new version of the six string guitar. blunt edge of a steel knife is used to play melodic patterns, allowing the player to glide between pitches, interweaving with the singer's voice, called 'bottleneck guitar' - used in Great Speckled Bird
The Singing Cowboy
heroic image of the old cowhand adopted by many country musicians during the depression years. Many country singers wore cowboy hats and shirts and adopted nicknames such as Tex, Slim, Hank, or the Lone Cowboy
Gene Autry
1st successful singing cowboy. Born in texas. Musical career received a boost from regular appearances on The National Barn Dance, broadcast on radio from Chicago. Autry moved to hollywood and got a big part in a cowboy movie.
Sons of the Pioneers
originally a vocal trio at instigation of Len Slye who later left the group and became a film and tv star by name Roy Rodgers. Sang in many cowboy movies and represented the cosmopolitan end of western music. Specialized in sophisticated vocal harmonies, wrote their own songs composed by group member Bob Nolan
Songs by Sons of the Pioneers
Tumbling tumbleweeds, at the rainbows end, cool water.
Listening: Cool Water
written by Bob Nolan, performed by Son's of the Pioneers. Bestseller in the country music market. Reached 25. Features the trio's smooth, carefully rehearsed harmonies. Recording opens with the guitar and fiddle playing the hook of song
Structure of Cool Water
strophic, series of verses consisting of solo line sung by Nolan. Repeated chorus sung in unison. Example of musical craftsmanship, songwriting, arrangement, and studio recording are brought together with the imagery derived from Hollywood to create something that is more than just a song
Western Swing
blended the country string brand with blues and jazz. developed in Texas and accordingly reflected that state's diverse musical tradition
Bob Wills
seminal figure in the national popularization of western swing. A fiddler from East Texas. Raised in a family of fiddle players, played with several dance bands in the Southwest before forming his own group, the Texas Playboys.
The Texas Playboys
established itself in Tulsa Oklahoma. Making daily radio appearances, playing nightly in a local ballroom and going on tours of the 'southwest territories'. After being discharged from the army, relocated to Cali
Style of the Texas Playboys
southern string band music. Old fiddle tunes and other dance songs. Combined with elements from big band swing, including call and response riffs and instruments such as trumpets, saxophones and drum set
Listening: New San Antonio Rose
written by Bob Wills, performed by Bob Wills and his Texas Playboys. Biggest hit, a country bestseller, #11. exemplifies the unique blend of stylistic elements achieved by Wills. AABA
Western Swing's Influence on Country
permanent influence. introduction of amplified steel guitar and drum set. Incorporated African American and Latin American influences. Live performances and improv instrumentals
Latin Music in the Swing Era
crucial period for the development of Latin music in the US. Latin Americans immigrated to NYC. Cuban musicians created novel fusions of African music. Led to rise of mambo, latin jazz, and salsa
Xavier Cugat
Rhumba King. bandleader who did the most to popularize latin music during the swing era. spanish born violinist, bandleader, film star, and unabashed showman. Band from Waldorf NY
Listening: Brazil
Written by Ary Barroso, performed by Xavier Cugat and his Waldorf Astoria Orchestra. most recorded songs of all time. Musical logic centered on 2 elements: repeated syncopated pattern hook, sweeping cinematic melody with ABCD form. Vitality of Afro-brazilian and composition of European