Art History Renaissance

- Giotto/1305-1306/Fresco
- commissioned by Scrovegni (money lender)
- wanted to repent for his sinful job
- Fresco Paintings telling life of Jesus
- Lamentation is a painting within
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Terms in this set (18)
- Giotto/1305-1306/Fresco
- commissioned by Scrovegni (money lender)
- wanted to repent for his sinful job
- Fresco Paintings telling life of Jesus
- Lamentation is a painting within
63 - Arena (Scrovegni) Chapel
Image: - Giotto/1305-1306/Fresco - commissioned by Scrovegni (money lender) - wanted to repent for his sinful job - Fresco Paintings telling life of Jesus - Lamentation is a painting within
- Robert Campin/1425-1428/Oil on Wood
- Triptych showing annunciation (Gabriel telling Mary about Baby)
66 - Annunciation Triptych (Merode Altarpiece)
Image: - Robert Campin/1425-1428/Oil on Wood - Triptych showing annunciation (Gabriel telling Mary about Baby)
- Brunelleschi/1420-1460/Chapel
-Used to teach monks
-Classical features inspired by Greek and Romans
67 - Pazzi Chapel
Image: - Brunelleschi/1420-1460/Chapel -Used to teach monks -Classical features inspired by Greek and Romans
-Jan Van Eyck/1434/Oil on Wood
-Wealthy woman on holy ground
-not pregnant just heavily clothed
-Dog symbolizing fidelity
68 - Arnolfini Portrait
Image: -Jan Van Eyck/1434/Oil on Wood -Wealthy woman on holy ground -not pregnant just heavily clothed -Dog symbolizing fidelity
-Donatello/1440/Bronze Statue
-David from David and Goliath
-Feminine look brings youthfulness
-Contrapposto pose and dramaticized back
69 - David
Image: -Donatello/1440/Bronze Statue -David from David and Goliath -Feminine look brings youthfulness -Contrapposto pose and dramaticized back
-Leon Battista Alberti/1446-1451/Facade on Wall
-Florence
-3 level elevation: tuscan, ionic, corinthian
-homage to metachief palace and is direct representation of Colosseum
70 - Palazzo Rucellai
Image: -Leon Battista Alberti/1446-1451/Facade on Wall -Florence -3 level elevation: tuscan, ionic, corinthian -homage to metachief palace and is direct representation of Colosseum
-Filippo Lippi/1455-1466/Tempera on Wood
-Two angels holding Jesus while Mary praying
-Renaissance characteristic of no restriction (spilling out of frame)
71. Madonna and Child with Two Angels
Image: -Filippo Lippi/1455-1466/Tempera on Wood -Two angels holding Jesus while Mary praying -Renaissance characteristic of no restriction (spilling out of frame)
-Botticelli/1486/Tempera on Canvas
-Natural depiction of human form
-secular, contrapposto
-wind tries to clothe her
72. Birth of Venus
Image: -Botticelli/1486/Tempera on Canvas -Natural depiction of human form -secular, contrapposto -wind tries to clothe her
-Leonardo da Vinci/ 1495-1498/oil, tempera, fresco
-Very deteriorated
-Vanishing point and linear perspective make table seem to come out
73. The Last Supper
Image: -Leonardo da Vinci/ 1495-1498/oil, tempera, fresco -Very deteriorated -Vanishing point and linear perspective make table seem to come out
-Albrecht Durer/1504/Engraving
-Classical figures, painting isn't
Animals symbolize humours
74. Adam and Eve
Image: -Albrecht Durer/1504/Engraving -Classical figures, painting isn't Animals symbolize humours
-Michelangelo/1512/Fresco -Reluctant to paint as he was a sculptor -9 large panels: first three creation, second three adam and eve, third three destruction of man (Noah's Ark)75. Sistine Chapel (Ceiling)Michelangelo/1534/Fresco -Last judgement painting in mannerist style75. Sistine Chapel (Altar Wall)-Raphael/1509-1511/Fresco -Pope's private chambers within Vatican Palace -Mural on each of 4 walls (theology, law, poetry,and philosophy)76. School of Athens-Matthias Grunewald/1510/Oil on panel -Isenheim hospital had monks devoted to treating peasants, usually ergotism (skin disease) -depicts Crucifixion and lamentation (after death)77. Isenheim Altarpiece-Jacopo Pontormo/1525-1528/Tempera on Panel -Mannerism (shows exaggerated positions of the human form), between Renaissance and Baroque -Response to the Protestant Reformation -don't know if its deposition or entombment, shows end of Christ's life78. Entombment of Christ79. Allegory of Law and Grace-Cranach the Elder/1530/Woodcut -Left side shows law, right shows grace -Inspired by teachings of Martin Luther-Titian/1538/Oil on Canvas -Nude Venus laying on bed -Venus represents generic and idealized female beauty80. Venus of Urbino-Pieter Bruegel the Elder/1565/Oil on Wood -broad sweeping perspective across a snowy valley -Glorifying the hardworking flemish peasants83. Hunters in the Snow