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West Pediment of Temple of Artemis
High relief, figure coming out towards you, emerging from pediment
one of the first statues to have cantrapposto, realistic, elasticity in skin, body and head turned, transition between archaic and classical
Zeus (Or Poseidon)
Balanced, active arm opposite active leg, heroic proportions, shows power within gesture.
dramatic composition, strain, not free standing, in motion, roman copy, expressionless face, idealized heroic body
Broken Hand used to carry offering to Athena, tightened waist, peoples is the garment she is wearing, rounded and naturalistic face.
Figures on the pot are black, when fired oxygen gets into the kiln it oxidizes the clay and makes it red.
classical style, natural look, relaxed side, one arm in use, opposites of movement for balance
Part of Acropolis, outside is doric, columns and frieze are ionic, ground slopes down, space between columns is wider, 8x17 columns, normally 6x12
Interconnected, clinging wet drapery reveals the bodies of the goddesses, sit naturally, poetic pose.
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