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5 Written questions

5 Matching questions

  1. lamentation
  2. Triptych
  3. Linear Perspective
  4. aderation
  5. Attribute
  1. a the appearance of things relative to one another as determined by their distance from the viewer.Parallel lines running into the depth of the painting connect at the vanishing point.
  2. b glorifies and praises God
  3. c The sign (either an object or a particular action) used to characterise or identify a figure, e.g. a pot of salve for Mary Magdalen.
  4. d expression of grief or sorrow for christ.
  5. e Painting in three parts, particularly applied to winged altars.

5 Multiple choice questions

  1. a color, as red, yellow, or blue, that in mixture yields other colors.
  2. Painting technique in which paint pigments are bound with oil. Oil paint is workable, it dries slowly and bends easily. Since 1st apearance in 15th century, oil paint has been crucial in painting technique.
  3. Representation of grieving Mary with the body of christ. Northern: Across Lap. Southern: Held up right.
  4. The earliest type of gravure. The drawing is engraved on a copper plate, paint is rubbed into the scratches and transfered to paper under mechanical proccess
  5. (Fresh) Wall painting, in which paint is applied to wet plaster, and blends with it as it dries.

5 True/False questions

  1. depositionThe action of putting things together; formation or construction. ex. Diagonal/radial. The different physical traits. Color and form, symmetry/asymmetry, movement ect.

          

  2. Secondary Colora color, as red, yellow, or blue, that in mixture yields other colors.

          

  3. TrinityPainting in three parts, particularly applied to winged altars.

          

  4. Tempera"egg tempera" The usual medium for paint in the Middle Ages and the Renaissance, until the arival of oil. Binders of tempera are dilluted in water, but not water soluble after applying.

          

  5. Intermediate Coloris formed when a primary color is mixed with an adjacent secondary color

          

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