Chapter 1: Elements of PitchSection 1:
Exercise 1-1
Section 2:
Exercise 1-2
Section 3:
Exercise 1-3
Section 4:
Exercise 1-4
Section 5:
Exercise 1-5
Section 6:
Exercise 1-6
Chapter 2: Elements of RhythmSection 1:
Exercise 2-1
Section 2:
Exercise 2-2
Section 3:
Exercise 2-3
Section 4:
Exercise 2-4
Page 11:
A
Page 11:
B
Page 12:
C
Chapter 3: Introduction to Triads and Seventh ChordsSection 1:
Exercise 3-1
Section 2:
Exercise 3-2
Section 3:
Exercise 3-3
Section 4:
Exercise 3-4
Page 19:
A
Page 19:
B
Page 20:
D
Page 20:
C
Chapter 4: Diatonic Chords in Major and Minor KeysSection 1:
Exercise 4-1
Section 2:
Exercise 4-2
Page 31:
A
Page 31:
B
Page 32:
D
Page 32:
C1
Page 32:
C2
Chapter 5: Principles of Voice LeadingSection 1:
Exercise 5-1
Section 2:
Exercise 5-2
Section 3:
Exercise 5-3
Chapter 6: Root-Position Part WritingSection 1:
Exercise 6-1
Section 2:
Exercise 6-2
Section 3:
Exercise 6-3
Section 4:
Exercise 6-4
Section 5:
Exercise 6-5
Chapter 7: Harmonic Progression and the SequencePage 55:
B
Page 55:
C
Page 55:
A
Page 57:
D
Page 58:
E
Page 58:
F
Page 58:
G
Page 59:
H
Page 60:
J
Page 60:
I
Chapter 8: Triads in First InversionPage 61:
A
Page 62:
B
Page 63:
C
Page 65:
D
Page 65:
E
Page 66:
F
Page 66:
GPage 67:
H
Page 68:
I
Page 69:
J
Chapter 9: Triads in Second InversionPage 71:
A
Page 75:
C
Page 75:
B
Page 76:
E
Page 76:
D
Page 77:
F
Chapter 10: Cadences, Phrases, Periods, and SentencesPage 79:
A
Page 80:
B
Page 86:
C
Chapter 11: Two-Part Tonal CounterpointSection 1:
Exercise 11-1
Section 2:
Exercise 11-2
Section 3:
Exercise 11-3
Chapter 12: Nonchord Tones 1Section 1:
Exercises 12-1
Section 2:
Exercise 12-2
Page 91:
B
Page 91:
A
Page 92:
C
Chapter 13: Nonchord Tones 2Page 99:
A
Page 101:
D
Page 101:
B
Page 101:
C
Page 102:
F
Page 102:
E
Page 103:
G
Page 103:
H
Section 1:
Exercise 14-1
Section 2:
Exercise 14-2
Page 105:
B
Page 105:
A
Page 106:
C
Page 107:
D
Page 108:
E
Page 108:
F
Page 109:
G
Page 110:
H
Page 111:
I
Chapter 15: Other Diatonic Seventh ChordsPage 123:
B
Page 123:
A
Page 124:
C
Page 128:
D
Page 128:
E
Page 129:
F
Page 130:
H
Page 130:
G
Page 131:
I
Page 132:
J
Chapter 16: Secondary Functions 1Section 1:
Exercise 16-1
Section 2:
Exercise 16-2
Chapter 17: Secondary Functions 2Section 1:
Exercise 17-1
Section 2:
Exercise 17-2
Chapter 18: Modulations Using Diatonic Common ChordsSection 1:
Exercise 18-1
Section 2:
Exercise 18-2
Page 161:
C
Page 161:
A
Page 161:
B
Chapter 19: Some Other Modulatory TechniquesPage 177:
A
Page 182:
B
Page 182:
C
Page 183:
D
Page 184:
E
Page 185:
A
Page 186:
B
Page 189:
C
Page 190:
D
Page 191:
E
Page 194:
F
Page 198:
G
Chapter 21: Mode Mixture and The NeapolitanPage 203:
A
Page 204:
B
Page 205:
C
Page 213:
D
Page 213:
E
Page 214:
F
Page 214:
G
Page 215:
I
Page 215:
H
Page 216:
J
Chapter 22: Augmented Sixth ChordsPage 217:
A
Page 218:
C
Page 218:
B
Page 219:
D
Page 229:
F
Page 229:
E
Page 230:
I
Page 230:
G
Page 230:
H
Chapter 23: Enharmonic Spellings and Enharmonic ModulationsPage 231:
B
Page 231:
A
Page 232:
C
Page 233:
D
Page 234:
E
Page 240:
F
Page 241:
G
Chapter 24: Further Elements of the Harmonic VocabularyPage 243:
A
Page 244:
B
Page 245:
C
Chapter 25: Tonal Harmony in the Late Nineteenth CenturyPage 253:
A
Page 254:
B
Page 255:
C
Page 256:
E
Page 256:
D
Page 259:
F
Page 262:
H
Page 262:
G
Page 264:
I
Page 266:
J
Chapter 26: Materials and TechniquesSection 1:
Exercise 26-1
Section 2:
Exercise 26-2
Section 3:
Exercise 26-3
Page 269:
A
Page 270:
B
Page 270:
C
Page 271:
D
Page 271:
E
Page 272:
G
Page 272:
F
Page 273:
H
Page 275:
I
Page 277:
J
Chapter 27: Post-tonal TheorySection 1:
Exercise 27-1
Section 2:
Exercise 27-2
Section 3:
Exercise 27-3
Page 297:
A
Page 297:
B
Page 298:
C
Page 298:
D
Page 299:
E
Page 300:
F
Page 301:
G
Page 302:
H
Page 304:
I
Chapter 28: New DirectionsPage 319:
A
Page 321:
C
Page 321:
B
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